Showing posts with label western historical romance. Show all posts
Showing posts with label western historical romance. Show all posts

Sunday, April 26, 2020

MAIL-ORDER BRIDES IN THE AMERICAN WEST

By Caroline Clemmons


I have heard authors of other genres make jokes about mail-order bride books. They may seem fanciful, but throughout history there really were a large number of women who risked everything to achieve a husband and family. The alternative for a woman sounds lonely.

Unlike the single woman of today, there were not many choices. A woman was judged by the success of her husband and children. If she had neither, she simply did not fit into society of the time. The jobs available to a woman who was above servant class were that of a governess or a companion (read fancy term for maid) to a woman who was likely wealthy but infirm in some way.

If she was willing to risk becoming a mail-order bride, she might still be no more than a servant, but it would be in her own home and she would have her own children. Worth the risk? I would think so.


Chris Enss’ book Hearts West discusses actual mail-order brides. Some are happy stories, some are frightening. Each is interesting. There are other books about western women, some of whom were mail-order brides. Another is Buying A Bride, by Macia A. Zug, who details brides through history. Of course, I'm more interested in those of the American West.



A terrible result of the Civil War was that fighting took the lives of so many young men. Numbers given are that between 620,000 and 750,000 men died in the Civil War, by far the greatest toll of any war in American history. When most of the surviving single men moved west, this left no one for Eastern women to marry. If a woman wanted a husband and children, what was she to do? If a man wanted a wife and family, what was he to do?

This is why there are so many mail-order bride and proxy bride romances. Although mail-order and proxy brides existed before and after this era, they flourished in the last quarter of the nineteenth century. In fact, proxy marriages are still valid today. Now they are mainly used for those in military service.

In my ancestry and that of my husband, several women became little more than a live-in, unpaid maid. Would you have wanted to spend the rest of your life as “Aunt” whoever to someone else’s family? Or, would you have dared become a mail-order bride?

In the west the ratio was sometimes 1 woman (who might be married) to 14 men. In mining areas, the ratio of men per woman would be far more. If you wanted a wife and children, what would you do? Imagine being a single man who longs for a wife and family and sends for a bride. What if she’s a shrew or slovenly and can’t cook or keep house? What if she’s a con artist who plans to remain only long enough to gain access to your savings? Would you send for a bride sight-unseen?

Matrimonial agencies supposedly verified the character and intentions of the man and woman before the marriage was arranged. Also available were newspaper-like periodicals filled with ads placed by men who wanted a wife (no verification). If you’ve read some of these, you know they varied from so egotistical they’re comical to so brief no information is supplied.

Imagine yourself a woman traveling by train or—more likely—by stagecoach to meet a prospective groom. You could be single or widowed. More than likely you’d be nearly destitute. If the man you’re going to meet doesn’t suit, you have no funds to repay him for your travel fare and return home. Perhaps you have no home to which you can return. What if he’s a drunk or beats women or is a crook?

Would you have dared enter a mail-order marriage?



In my recent release, MAIL-ORDER VICTORIA, Widows, Brides, and Secret Babies Series book 7, the heroine becomes a mail-order bride to protect her daughter. The groom desperately needs a wife to care for his children. Neither has been forthcoming about their children, which accounts for the “secret” baby in the series. I hope readers will read and enjoy this book. I enjoyed writing it. I threw in rustlers and a tornado to create more obstacles. Here’s the summary:

She has to protect her baby . . .
He is desperate for help . . .
Trouble preys on their livelihood . . .

Widow Victoria Bailey is desperate to prevent her in-laws from gaining custody of her eighteen-month-old daughter. If becoming a mail-order bride is her only option, she’ll take the risk. At least on a Texas ranch she’ll have quiet and peace. She doesn’t have time to let the groom know she’s bringing her daughter. Surely no man can object to one perfect little girl.

Widower Greg Hardy is desperate to get help with his home and his children. He needs to be pursuing whoever is rustling his cattle. A mail-order bride seems to be exactly what he needs but should he keep his children a secret? To insure he doesn’t scare off a prospective wife, he omits the fact that he has five children aged from eight months to twelve years old. 

Their marriage starts with misunderstanding. They decide to work together to fight against a common foe. Will the fight take a toll on their fragile happiness?

The Universal Amazon Link is https://mybook.to/Victoria for ebook, print, and KU.


Friday, November 8, 2019

New Release from Christi Corbett

Today I'm thrilled to announce the release of my latest book, Bound by his Word!


Here's a little detail about the book...


As he held his dying best friend in his arms, Luke Higgins made a promise—to return a locket to the man’s wife.
He arrives to find a proud yet exhausted woman, struggling to run the town’s sole restaurant while raising her young son. Luke hires on as her cook, figuring he’ll stick around long enough to help her regain her footing, then hand over the locket and leave. Months later, with guilt gnawing on him worse than any of the injuries he sustained in battle, Luke finds himself falling for his best friend’s widow.
Molly Fulton is intrigued by the handsome stranger whose willingness to work brings her much-needed funds, and something more precious than money—time with her son. She ponders a life with him as more than just her cook, until her son stumbles across a long-lost treasure hidden in Luke’s coat pocket.
Can Molly forgive the man who entered her life because of a promise, but stayed because of a lie?

Available from:
Amazon     Barnes and Noble     AppleBooks     Kobo     Scribd     24Symbols     

This has been a HECTIC week, and I'm about to head out the door with my twins for a four-hour drive (and doctor appointment). I won't be back until late tonight, but I'd love to hear from you, lovely reader. What's new in your life? Leave a comment and let's chat, 



Wednesday, October 16, 2019

The Westbound Surge



I’ll be writing in another multi-author project next year which will be set in the 1880s. This is very “modern” for me and the research has been fascinating. Up until now, all my books have been either set in Regency era England (1805) or the American Midwest from 1855-1865. With the 1880s comes more technology, more developed towns and cities in the West, as well as opening up the possibility of setting some stories in Canada (where I’m from).



The rapid development of technology spurred the population growth of North America as well as the westward movement of people. The ability to more easily communicate made the expansion of business also possible. And “rapid” transportation meant you could travel all across the continent in less than ten days. In fact, in 1876, the Transcontinental Express from New York to San Francisco made the trip in 83 relaxing, comfortable hours. Imagine! Three and a half days! That really shrank the world for people of that time. Of course, the poor, penniless, mail order bride couldn’t afford that ticket, but even she could reach her new life in a week or less, depending on her destination. 

The consolidation and reorganization of the railroads in the late 19th century lead to rapid industrial growth in many areas including the opening of hundreds of millions of acres of very good farm land ready for mechanization, lower costs for food and all goods, and a huge national sales market. Of course, all this growth and prosperity didn’t benefit everyone. While the average annual wage for an industrial worker rose by 48% between 1860 and 1890 (from $380 to $564), there was still abject poverty and inequality leading to contentious social issues. And the ability to travel broadened people’s knowledge and perspective, making them more involved in these various struggles and triumphs.

Railroads were the major growth industry, with the factory system, mining, and finance increasing in importance. Immigration from Europe, and the eastern states, led to the rapid growth of the West, based on farming, ranching, and mining. The rapid economic growth in America also fueled this influx of millions of European immigrants, especially due to the wage increases making the opportunities seem so very attractive to these new comers.

I’m thrilled with the research I’ve been able to do and am overwhelmed with story ideas for this exciting time period in history.

In the meantime, check out my Orphan Train series to learn a little bit about the early stages of these developments as three young women accompany a trainload of orphans to their new lives in the Midwest.

Book 1, Sophie’s story, starts the series off in its origins in New York City.

She’d happily give him her heart … if only it wouldn’t cost her the only home she’s known

Sophie Brooks thought she had everything she could want in life. Friends, loved ones at the orphanage where she was raised, a job that gives her purpose, and a chance to help children every day … what more could she need? But a chance encounter with a handsome stranger has her wondering if a life—and love—outside the orphanage might be exactly what she never knew she needed.

Renton Robert Rexford III has never wanted for anything. Until he meets Sophie. The charming, intelligent beauty draws him like no other.  But, thanks to a disapproving benefactor who threatens to pull the orphanage’s funding, his pursuit of her could cost Sophie everything she holds dear. She’s all he wants in the world, but how can he ask her to give up so much when all she’d get in return is his heart?

It’s not long before Sophie is forced to weigh her loyalty to the only home she’s ever known against the needs of her heart. Can love prevail—or is the cost simply too high?  

Available now on Amazon, Free with your Kindle Unlimited subscription.

Monday, June 24, 2019

FLOODS! WRITING A NOVEL AROUND MY RESEARCH

by Marisa Masterson

Before there was a gold rush in California or free land for Civil War veterans, lumber made the fortunate of men from the east, especially from New York. It created a push westward. Wisconsin Rapids, the town I chose as the setting of my latest novel, is a town that exists because of this push.
Growing up in Wisconsin, I was convinced that farming drew whites to the state. When I began my research for A Shadowed Groom for Christmas, I was surprised by the important role lumber played in settling the state. Lumber barons like Jeremiah Witter made a fortunate from the white pine and established towns at the same time. In only eighteen years, the town of Grand Rapids—which later became Wisconsin Rapids after combining with the town of Centralia--already had a bank, courthouse, and a high school, among other businesses.

South Wood County Historical Museum--an early photo of a business on Second Street

After deciding that I wanted to set the novel in historic Wisconsin Rapids, I needed to find something significant that happened around the time period. Flooding solved that. There was a historic iron bridge in the town. According to a short history on the McMillan Library website, “Two years later the county built the first iron bridge, a very high and cheap structure, which, however, served until the flood of 1888, which tore off its western span.” Flooding seemed to be a repeated problem for this town. That made it perfect for me to develop conflicts for my novel that included the flooded Wisconsin River. In fact, here’s an excerpt from the novel so readers can see how I worked the idea into the book.

Without even bothering to shut the door behind her, the older woman pulled Kitty down the sidewalk to her buggy. She half-pushed, half-flung her into it and then shoved Kitty over before rocking the buggy by settling her own bulk into it. Snapping the reins, she hustled the horses toward Cranberry Street and the bridge they had to cross to get to Kit’s factory.
Soon after getting the horses started, the woman began to talk. Gone was the sweet little girl voice. A mature and much lower voice issued from her frowning mouth now. “I hear you were poking around the factory yesterday. You and that Phineas can’t be allowed to ruin things for my husband. When he told me about seeing you there, I knew what had to be done.”
They approached the bridge. Already on edge by the menace she heard in the woman’s voice as well as the implied threats, Kitty dreaded crossing the river that swirled and foamed after last night’s heavy rain. When they had made it about half-way across the bridge, Mrs. Forrest gasped. “Did you see that child in the water?”
Hurriedly setting the brake, the woman bolted from the buggy. Kitty raced after her and leaned over the bridge to look down into the dark water below. “I don’t see any…”
The hands at her back pushed hard. Then Kitty felt her legs being lifted before she hurtled through the air toward the raging torrent below.
Wisconsin Historical Society--view after flooding in 1880, Grand Rapids, WI
Wisconsin River at Wisconsin Rapids with the second iron bridge in the background
In addition to information about flooding, I also researched the lay out of the town. I wanted the street names--such as Eighth as well as the main street that paralleled the town--and the location of businesses in the town to be as accurate as possible. What really surprised me from my reading was that the town so quickly established schools and even a high school. As a retired teacher, I loved that 
http://www.swch-museum.com--A view of Second Street
fact.
http://www.swch-museum.com
To learn more about how quickly settlers grew a town as well as the early lumber industry, check out https://www.mcmillanlibrary.org/short.


https://www.amazon.com/dp/B07SNFSW38
About the Book-- 


Alone! Kitty Donaldson’s marred face keeps her isolated from others. When offered the opportunity to be a mail-order bride to a stranger who refuses to leave his home, Kitty gladly accepts. After all, she’s always lived without friend.

Kit Randolph has been hideously scarred in a mysterious fire. Did someone purposefully burn down his home? His cousin Phineas suspects someone near to Kit is a murderer. How can he prove it?
Married to a man in a mask, Kitty begins to wonder about her husband. Who or what lies under the hood he wears? Why is she constantly shadowed by a companion? Worse yet, why is she equally drawn to her scarred husband and his handsome cousin.
What will Kitty find when her husband’s mask is removed? With a murderer on the loose, will she live to see his face?

Available now as an ebook and on Kindle Unlimited.

To learn more about my books, please sign-up for my newsletter at https://mailchi.mp/543792bef24a/marisamasterson.


About Marisa Masterson

Marisa Masterson and her husband of thirty years reside in Saginaw, Michigan. They have two grown children, one son-in-law, a grandchild on the way, and one old and lazy dog.

She is a retired high school English teacher and oversaw a high school writing center in partnership with the local university. In addition, she is a National Writing Project fellow.

Focusing on her home state of Wisconsin, she writes sweet historical romance. Growing up, she loved hearing stories about her family pioneering in that state. Those stories, in part, are what inspired her to begin writing.




Saturday, March 16, 2019

Why I write in the historical romance genre by Kaye Spencer #SweetheartsoftheWest #historicalromance #amwriting


An author interview question I often encounter asks why I write in the historical romance genre.

While I am drawn to the historical time periods of the Old West, Roaring Twenties, and 1950s more than other historical settings, I have written a few contemporary (or near-contemporary) stories. However, I don't spend much time in the here and now with my storytelling, and there are three reasons.

Reason 1—Research

Every historical romance I write allows me to follow rabbits down research rabbit holes. I’ve discovered the most intriguing and amazing tidbits of history in my historical research Wonderland. It’s important to me to have the details in my stories as historically accurate, but I temper the accuracy with the need to tell a good story. I am, after all, writing fiction as entertainment, not creating a historically accurate documentary.


 Reason 2—Living vicariously in the past

While I’m writing a story set in the past, I get to travel to a different place and time and live in someone else’s shoes and view the world through their eyes and perspectives. I’m like Anthony Marston in Quigley Down Under: “…Some men [women] are born in the wrong century.” When I’m researching, I'm on an adventure that can take me anywhere my imagination wants to go.

Reason 3—Challenge of overcoming inconveniences

I like writing stories that lack modern day conveniences. Without the amenities we’re accustomed to nowadays, there are so many juicy complications for the characters to face, deal with, and overcome that otherwise could be written away with a call on the cell phone or by hopping an airplane.

Let's explore Reason 3.


*Communication: When the hero and heroine have to depend upon letter writing and telegraph messages, both of which were slow (relatively speaking) and could more easily be intercepted or even lost, the villain has the opportunity to weasel his way into the heroine’s life and console her. Perhaps the heroine thinks the hero jilted her at the altar when he doesn’t show up for their wedding when actually the villain intercepted the telegram, which explains the legitimate reason for the hero’s delay.
 
*Transportation: Transportation wasn’t necessarily convenient or terribly comfortable. Horseback riding was functional, but for long periods of time over great distances is exhausting and full of plot-enhancing dangers and challenges. Stagecoach travel was cramped, dirty/dusty, really hot/really cold, and could be dangerous. It lacked privacy that women need. Obtaining a decent meal could be an on-going problem. Generally, stage travel was a grueling test of endurance.

Just imagine, the heroine might be kidnapped by a drop-dead handsome train robber or find herself stranded on the Texas prairie with nothing but a scoundrel of a gambler as her companion along with the one surviving horse from the stagecoach team after the Comanche attack.


Traveling by train was limited to where the tracks were laid, and it shared many of the same drawbacks as stage travel, plus the additional discomfort of soot and cinders coming into the passenger cars. Little sleeping privacy or comfort. The food wasn't the greatest or even available at times.

 *Contraception: Without our modern-day contraceptives, the possibility of pregnancy looms in historical stories as an ever-present consequence of a romantic dalliance. This is a great plot device for building the emotional tension between the hero and heroine. Fear of out-of-wedlock pregnancy and the real threat of dying in childbirth both add another layer of anxiety to the romantic relationship.
*Medicine: Sophisticated antibiotics as we know them were virtually nonexistent back in the ‘olden days’, which makes the recovery difficult and, sometimes, the character’s very survival tenuous given the physical torture/wounds/injuries we, as authors, inflict upon them. Lack of modern day pain killers and antibiotics makes the situation all that more dire for the hero when the female doctor extracts the arrow from his thigh.


Gladstone doctor's bag
puuikibeach, Gladstone bag made of ox leather, CC BY 2.0

As I don’t send a newsletter, you might consider following me on these social media venues:


Until next time,

Kaye Spencer
Writing through history one romance upon a time

NOTE: Images, other than Gladstone bag, are courtesy Fotolia.com - author purchased license to use

Tuesday, September 4, 2018

AMERICAN PROGRESS By Cheri Kay Clifton

John Gast, American Progress, 1872

I first saw this painting while researching Trail to Destiny, Book 1 of my Wheels of Destiny Trilogy. I found the painting both an inspirational and fascinating piece of historical western art. Not only did I admire its rich and detailed symbolism and the powerful meaning it gave to America’s westward expansion, but I understood the controversy it provoked as well. Although the original artwork is only 12 ¾ x 16 ¾, the painting viewed by most is a much larger reproduction.

Crofutt's Trans-Continental Tourist's Guide, 1872

John Gast, a Brooklyn based painter and lithographer, was commissioned by George Crofutt, the publisher of a popular series of western travel guides. With so many images of the western landscape already in circulation, Crofutt collaborated with Gast to create a new design. Crofutt included an engraving of Gast’s painting in his guidebooks.

In order to appreciate the images depicted in Gast’s painting, one has to realize the connection it had to the concept of “Manifest Destiny,” which was first authored by newspaper editor, John O’Sullivan in 1845, who claimed America had been chosen to carry out the duty of expanding the country all the way to the Pacific Ocean. Gast used his painting to tell the message that the United States was destined to migrate West and to encourage interest in Americans to forge their way across the western frontier. This manifest destiny ideology was common among many early Americans who viewed it as an economic opportunity to start anew.



American Progress conveys a dynamic story. First, let’s take a look at the landscape. The right side represents eastern America with what is assumed to be the Mississippi River and the left side represents western America with the distant Pacific Ocean. Notice the eastern side is much brighter than the western side which grows darker with storm clouds above the snow-capped Rocky Mountains. Reading into that, some viewers might interpret the east as safe and civilized and the west as a dark, uncivilized and untamed wilderness.

Second, take notice of the large, ethereal feminine figure in the middle of the painting. With the “star of the empire” on her forehead, she seems to be leading and lighting the way for the travelers from East to West. In her right hand she carries what most often is interpreted as a book of knowledge and she suspends a length of telegraph cable, depicting educational advancements and technological improvements and inventions.

Next look below her; men follow her on foot and by various methods of transportation – pony express rider on horseback, covered wagon, stagecoach, and steam engine. In the lower right, farmers work the land, a stone house, trees and a split rail fence nearby. On the road in the foreground, three men walk beside a horseman. One carries a shotgun and another holds a miner’s shovel on his shoulder.

As sequential waves of Americans move forward across the plains towards the Rockies and beyond, their images tell a story about the importance of the frontier in American life and of the progress achieved through communication, development, transportation and expansion.


But when we look closely to the left side of the painting, we can see quite another dark and controversial meaning to that story. Bison, wild horses and a bear are seen retreating into the darkness. Several Native Americans look back, one bare-chested male raises a tomahawk and another carries a bow and arrow. A horse drawn travois carries a mother and child. Another woman walks beside it and looking over her shoulder.


In the nineteenth century, the new nation of the United States had great ambitions for its future and westward expansion was a common mindset among most Americans. Looking at “American Progress” today, one can appreciate the bright, positive side of Americans’ enthusiasm and energy for forging a bold path across the West, yet also understand the darker, negative side and sympathize with Native Americans being forced from their native land and way of life they were accustomed to.

Gast’s painting at the time he created it effectively conveyed a history of the past, the innovations of the present and a vision of the future. The original painting is now held by the Autry Museum of the American West in Los Angeles, California.

Inspired by 19th Century Americans traveling across the western frontier, I wrote the first two books published in the Wheels of Destiny trilogy, Trail to Destiny with the heroine traveling on a wagon train & Destiny's Journey with the heroine traveling by stagecoach. 







Friday, April 20, 2018

Grand Island, Nebraska


When plotting my first book, Darlin' Irish, I planned for my characters to meet at the Union Pacific Railroad Station in Omaha, Nebraska, and travel west on the U.P. I wanted them to stop somewhere along the route and spend several days there, giving romance a chance to bloom. Having the hero get wounded protecting the heroine provided a reason for their stopover, but where to stage the incident?

After hunting up a train schedule from the period, 1872, I chose Grand Island, Nebraska, as the setting. The town was a dinner stop, allowing passengers about 30 minutes to purchase and wolf down a rushed meal in the nearby eating house. It was also located far enough along the route to make it dark out when my characters arrived, uh-hum, after a conveniently staged delay back in Omaha.

While preparing to write the section about Jessie and David's stay in Grand Island, I researched the town's history. My favorite source was and is a book titled The Town Builders by Robert N. Manley. I ordered it from the Sturh Museum of the Prairie Pioneer, located in Grand Island.

In 1857, 35 German settlers traveled into central Nebraska from Iowa. They settled on an island called La Grande Isle, meaning large or great island - likely named by French traders. It lay between the Platte River and a narrow channel that branched off the main river. They arrived there on July 4 and by September had built log houses out native ash, elm and cottonwood timber. Over the next nine years, the settlers faced hardships including blizzards, conflicts with Native Americans, and among the Germans themselves, some of whom scattered, staking squatters' claims in the Platte River valley .

During this period, advocates for a transcontinental railroad agreed that the most practical route should follow that same valley, the path so many covered wagons had rolled along. There would also need to be feeder lines connecting major cities to the main trunk line, and it was thought a good place for these lines to meet the U.P. would be in central Nebraska, where Grand Island lay.
Grand Island, 1867; wikipedia public domain

Eventually, Union Pacific surveyors laid out a town called Grand Island Station slightly inland from the island. Many settlers on Grand Island moved to the new town site. In 1868 the railroad arrived, bringing more business and settlers. By 1870, 1,057 people lived in the "new" town and in 1872 Grand Island was incorporated.

Grand Island never became quite the railroad hub envisioned by some or the nation's capital as other starry-eyed dreamers predicted. However, it did serve as an important stopping point for weary, hungry U.P. passengers, a fact I took advantage of in Darlin' Irish.


Excerpt:

A sickle moon hung low in the blue-purple sky over Grand Island, Nebraska, as Jessie ambled along the tracks. This was their first meal stop, and they were late due to the delay back in Omaha. Soon it would be pitch dark. And thank goodness for that! With the onset of evening, the heat had finally begun to let up.
The aroma of fried meat carried on the ever-present wind, coming from the nearby eating house, which was crammed to overflowing with ravenous passengers. They only had thirty minutes to wolf down their supper. It must be a regular bedlam in there.
She and Tye had already eaten from their store of food, as had others with little funds to spare. Her brother now stood near their coach, deep in conversation with the two would-be miners she had overheard earlier. Tired of listening to talk of silver mining, Jessie had slipped away, needing a few minutes alone, especially after enduring David Taylor’s company.
Aye, and after he’d finally returned to his coach, she’d had to put up with Tye’s maddening prattle. He had teased her, accusing her of being “taken with” the insolent captain and laughing at her adamant denial. Worse still, he’d asked if David Taylor might be the man she searched for, the man in her fateful vision. Naturally she had scoffed at the idea.
“Impossible!” she muttered, swatting a windblown curl out of her eye as her thoughts circled around the captain. She kept seeing that look of pity he’d given her. It still raised her hackles, but it also made her wonder. Might that spark of humanity mean he hid a softer heart beneath his steely exterior? She had told herself over and over again that he couldn’t be the gentle hero from her dreams. Was she wrong? . . 

Caught up in her thoughts, Jessie was nearing the caboose when she suddenly became aware of footsteps behind her. Turning, she saw a large male form approaching her. “Tye, is that you?” she called, unable to make out more than the man’s silhouette in the deepening gloom.
When he gave no answer, her skin prickled with fear and her heart began to race. She spun around and attempted to flee, but she’d taken barely two steps when a rough hand clamped over her mouth, smothering her terrified cry. She was hauled against a foul-smelling, buckskin-clad body.
            “Surprise, sweetheart,” her captor rasped. “You lookin’ to meet that uppity bluecoat back here? Seems like he ain’t comin’. But Wolf’s here, and we’re gonna have us some fun, girlie.”
            Oh God! Not Gerard! Flooded with fear, Jessie kicked and twisted and attempted to bite his filthy hand, but he merely laughed as he dragged her around the caboose. Her puny strength was no match for him. She couldn’t even reach up to claw his face with his arm fastened around her like a vice, pinning her own arms to her sides.
Help me, someone! she screamed silently.
*  * *
            As he left the eating house David heard Tye Devlin shout his sister’s name. Jessie did not reply. Standing by the train, the Irishman peered back and forth in the growing darkness.
            “What’s wrong?” David asked, striding up to him.
            Devlin pivoted, his face grim. “I can’t find Jessie. She was here a few minutes ago. Then she was gone. I was talking to two other gents and I didn’t see her leave.”
            David clasped his shoulder. “Take it easy. Did you check your coach?”
            “Aye, but she’s not there. And I’ve a terrible feeling she’s in trouble. I know she is!” Devlin glanced wildly toward the tender, where coal was still being loaded. “I was about to look up front. Will ye check the back end?”
            “Be glad to.”
            With a quick nod, Devlin trotted off toward the engine, while David headed in the opposite direction, hoping the Irishman’s bad feeling was wrong.
“Miss Devlin,” he called, but got no response. Didn’t the little greenhorn even have sense enough not to wander off by herself in the dark? And she thought she could take care of herself. “Fool girl!”
Damn, what if Gerard and his pals had gotten hold of her? At the thought, he broke into a run.
            “Jessie!” he shouted. Still no reply.
Then a woman screamed. The sound was cut off, but it clearly came from the other side of the train. Cursing, he drew his gun and vaulted over the coupling between the last two cars.
            “Bitch! Quit your bitin’!” a familiar ugly voice snarled, followed by the crack of a slap and a pained cry.
            “Gerard, you bastard! Leave her alone!” Seeing the struggling figures in the deep shadows by the caboose, David charged forward.
            The buffalo skinner roared a curse and shoved Jessie aside. She cried out as Gerard rushed at David. Recalling the man’s knife, David raised his gun but hesitated to fire, fearing he might hit the girl in the dark. His hesitation cost him. Spotting the glint of moonlight on metal, he started to twist aside, but Gerard’s blade caught him in the chest and slashed upward across his right shoulder.
The impact sent his gun flying, and he cried out as pain lanced through him. Instinctively, he knocked Gerard off balance and spun away. Sucking air between his teeth, he clutched his shoulder, feeling blood ooze between his fingers. Gerard regained his footing, growled, and rushed at him again. David dodged aside, forcing himself to ignore the pain.
“Want the next one in your belly, blue-leg?” the buffalo skinner taunted, circling him. “Or should I mark up your pretty-boy mug first? Think that little Mick would take to yuh with a few scars?”
“You won’t get away with this,” David ground out.
“Hell, I’ll be long gone on this here train before they find yuh. Or the girl.” Gerard gave a guttural laugh. “I watched yuh jawin’ with her and that buck she’s with. When I seen her sneak off from him, I hoped you’d come after her so’s I could even the score. Only I figured on havin’ a might more time with her first.”
David wanted to throttle him. “You need muzzling, cabrón, and that’s what I aim to do.”
            “Why, you meddlin’ yahoo! Think you’re gonna wup me, do yuh?” Gerard lunged, knife slashing wildly.
Evading him, David grabbed the man’s knife arm and tried to wrench the blade from his grasp. He failed but hung on tight.
“You’re a dead man,” the buffalo skinner growled, hammering at him with his other fist.
David attempted to block the blows, but the pain was almost more than he could stand, and he was losing blood. He could smell it mingled with Gerard’s rank odor, and he was beginning to feel cold, not a good sign.
            Stumbling, the buffalo skinner fell, and David went down with him. He gasped in agony when they hit the ground but maintained his death grip on the other man’s knife arm. They rolled in the dust, ending up with Gerard on top, straddling him.
            “I’m gonna gut you like a downed buffalo, bluebelly,” he threatened, attempting to drive his blade into David’s throat. “Then I’ll have me some fun with your little friend.”
“Like hell!” David snarled. With a cry of pure rage, he heaved the heavier man upward enough so that he could jam his knee into the bastard’s groin.
Gerard shrieked and slumped forward. Gagging, he attempted to clutch himself. Still, he hung onto the knife, forcing it lower with his weight. Staving off pain and weakness, David tightened his grip on Gerard’s forearm and grabbed his wrist. He gave a swift, sharp twist and heard bones snap.
The buffalo skinner let out a bloodcurdling howl and dropped the knife. David shoved him away. Landing on his backside, Gerard cradled his broken arm and rocked back and forth, keening shrilly.
            Slowly, David levered onto his knees. His breath came in labored gulps, and he swayed precariously. Marshalling the last of his strength, he delivered a roundhouse left to Gerard’s jaw that silenced him abruptly. He toppled backward onto the hard earth and lay there like a felled log.
            David slumped over. Gotta tie the bastard up, he told himself, but he was used up. Dizzy and hurting all over, he collapsed near his unconscious enemy.
            Huddled against the caboose, Jessie could barely make out the two men lying still and silent on the ground. Quaking from head to foot, she gathered her courage and forced herself to move. She had to find out if David was alive.
            Dreading the worst as she approached him, she dropped to her knees and hesitantly reached out to touch him. When she felt his chest move under her hand, she released a cry of gladness. His face was a pale blur, but she thought she saw his eyes open.
            “Thank heaven!” she said in a reedy voice. “I feared ye were . . . .” She broke off, unable to say the word.
“Not yet,” he muttered weakly. “He knifed me. Have to stop . . . the bleeding.” He fumbled with a button on his coat.
“Let me,” Jessie said, finding his hand and gently pushing it aside. Her own hands trembled as she worked open his heavy jacket. She longed to weep, but that would do him no good.
“Help!” she cried as loud as she could, praying someone would hear. Why hadn’t she run for help before, instead of cowering like a terrified rabbit while David fought to protect her? And why had she stupidly put herself in danger in the first place? This was all her fault!
            “You shouldn’t have . . . left your brother,” David mumbled, echoing her guilty thoughts.
            She choked down a sob. “I know. I’m so sorry.”
            He grunted and lay silent while she unbuttoned his blood-soaked shirt. When she probed gingerly beneath it, he jerked and inhaled sharply. Jessie bit her lip, hating to cause him more pain, but she could barely see him in the dark, and she had to know the position of his wound.
“Oh God,” she whispered, finding a long, gaping furrow that ran from near his breastbone, diagonally across his right shoulder. With such a wound, how had he managed to best Gerard?
Hastily, she tore a strip of cloth from her petticoat, folded it into a pad, and pressed it over his wound. She tried to be gentle, but still he groaned. Touching his cheek, she found it cold and clammy, and she couldn’t contain a whimper of fear for him.
“Help! Please!” she cried again, still getting no response. What should she do? She had to keep pressure on the gaping wound, but she couldn’t just sit here while he slipped away.
Dear God, don’t let him die, she prayed.

Lyn Horner is a multi-published, award-winning author of western historical romance and romantic suspense novels, all spiced with paranormal elements. She is a former fashion illustrator and art instructor who resides in Fort Worth, Texas – “Where the West Begins” - with her husband and a pair of very spoiled cats. As well as crafting passionate love stories, Lyn enjoys reading, gardening, genealogy, visiting with family and friends, and cuddling her furry, four-legged children.

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