Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Monday, March 22, 2021

A TIME FOR MOVIES - DARK COMMAND

 Post by Doris McCraw

writing as Angela Raines

Photo property of the author

Do you have that movie, that when it comes around, you just have to stop and watch it?  There are many like that for me. Even when they asked what your favorite movie was in our staff meeting the other day I had to think about it. Since I'm a big fan of Kurosawa, "The Seven Samurai" popped out. I love it, subtitles and all. But there are other films that are not as well known that also draw my attention. One such is the film "Dark Command".

Image from IMDb

Based on the novel "The Dark Command: a Kansas Illiad" by W. R. Burnett, written in 1938, the film was released in 1940 staring: Walter Pigeon, John Wayne, Roy Rogers, Claire Trevor, George 'Gabby' Hayes, and directed by Raoul Walsh. 

The story, just prior to the Civil War, is one of the clashings of ideas and the personal costs to those involved. Pigeon plays William 'Will' Cantrell. Will is in love with Mary McCloud and convinces her to marry him. However, the war takes its toll, and Will changes before our eyes. To complicate matters, Bob Seton, John Wayne, shows up and also is in love with Mary. Add to the mix Fletch McCloud, Roy Rogers, as Mary's brother who follows Will on his raids, but as time progresses he finds himself wondering about Will. Throw in the raid on Lawrence, Kansas and you have a film that keeps you engaged.

Image of Claire Trevor
from Wikipedia

The film was nominated for two Academy Awards: Best Art Direction and Best Music Score. 

Of course, the film is deeper and more complex than my description, but it is one I will always stop to watch it whenever it shows up. Not only is it fun to watch a young Roy Rogers, a non-singing role, give a brilliant performance, but you also get to see John Wayne and Claire Trevor together after their pairing in 'Stagecoach' released the year prior. If you get the chance, check it out.

What films do you stop to watch when they show up?

For more on W. R. Burnett: Wikipedia 

For more on the cast, crew, and reviews: Dark Command, IMDb




Doris Gardner-McCraw -
Author, Speaker, Historian-specializing in
Colorado and Women's History
Angela Raines - author: Telling Stories Where Love & History Meet

Post (c) Doris McCraw

Monday, June 22, 2020

EVER HEARD OF SPRING?

Post by Doris McCraw
writing as Angela Raines

Have you ever heard of Spring? I can hear you now, "Of course, everyone's heard about spring, it ended like two days ago."
spring byington (With images) | Spring byington, Classic hollywood ...
Spring Byington
The Spring I'm speaking about is Spring Byington. Perhaps most of you may know of her from the time she spent on the television series 'Laramie'. She worked on stage, screen, and television and was fairly successful in all. The reason I became fascinated, other than I have an affinity for performers, having been one myself, is where she was born and what she did before she became 'famous'.

Spring Dale Byington was born on October 17, 1886, in Colorado Springs, Colorado to Professor Edwin Lee Byington and Helen Maude (Cleghorn) Byington. Her father was the superintendent of the public schools and principal of the high school in Colorado Springs from 1884-1889. The family left and after Mr. Byington died in 1891, Mrs. Byington placed Spring with her grandparents and attended medical school. After graduation, Mrs. Dr. Byington went to Montrose, Colorado to practice medicine there.

In the 1900 census, Mrs. Dr. Byington was living in Denver, Colorado with Spring and her other daughter Helen at 3626 W 32nd Ave. as boarders.

By 1907, Spring was pursuing her career with a troupe that traveled through some of the mining towns in Colorado. According to the Montrose Enterprise of January 11, 1907:

Block image

Unfortunately, Helen Byington died on April 12, 1907, a few short months after Spring had visited her.

Spring left New York and her work as a stage actor and went on to become a contract player for MGM. From there she appeared in a number of films and had her own television show 'December Bride' that began a five-year run in 1954.

96 Best Spring Byington images | Spring byington, Hollywood, Actresses
Spring Byington & Robert Fuller
from the television show
'Laramie'
Spring Byington died on September 7, 1971, in Los Angeles, California of cancer. For those who may be interested, here is the IMdB biography: https://www.imdb.com/name/nm0001981/bio?ref_=nm_ov_bio_sm

Doris Gardner-McCraw -
Author, Speaker, Historian-specializing in
Colorado and Women's History
Angela Raines - author: Writing Stories Where Love & History Meet
Photo and Poem: Click Here 
Angela Raines FaceBook: Click Here





Monday, October 22, 2018

MAN WITH A THOUSAND FACES #SweetheartsoftheWest #history #theater

I'm taking a short break from writing about early women performers to focus on a man who was born in my adopted town. He started in theater here and went on to be known as the 'man with a thousand faces'. It seemed appropriate with the coming of Halloween. For those who are wondering the man is Lon Chaney. That is Lon Chaney Sr. not his son who was also an actor.

So who was Lon Chaney and why do I love his story and work?

Lon Chaney, Sr. The Miracle Man.jpg
From Wikipedia - Lon Chaney during production of
The Miracle Man - 1919
Lon (Leonidas Frank) Chaney was born April 1, 1883 in Colorado Springs, Colorado. His maternal Grandfather founded the Colorado School for the Education of Mutes (now the Colorado School for the Deaf and Blind) in 1874. His daughter Emma Alice Kennedy, was was deaf. She met Frank H Chaney, also deaf, at the school. The couple had four children, John, Lon, George and Carolin.

The story is Chaney went through fourth grade,then due to family hardship, Lon quit school to find a job and help out. News articles after his death claim he worked as a guide on Pikes Peak. He got a taste of the theater when he worked as a stage hand at the Colorado Springs Opera House in the 1890s after his brother John helped him land the job. The review for his first appearance in front of the curtain read "As a comedian he is irresistible and it would be hard to find his equal in the dancing among many first class vaudeville performers."

Image result for lon chaney images
Lon Chaney - date unknown
It was after moving to California that Chaney started working in film. He was an actor, writer and director, but it is an an actor we know him.

Elza Schallert, magazine writer and radio host, in her article "Behind Lon Chaney's Mask" had this to say:

Lon Chaney, [as an actor] I believe, is writing his signature on the page whose ink is not yet dry. And I believe it will be in years to come a bold, vigorous impression, easy to read and remember.

Chaney is an actor who, once seen, is never forgotten. He may not win your unqualified approval, with his extreme characterizations. He may annoy you more than inspire, with his hideous makeups of clouded eyes, twisted limbs or dangling teeth and a formless head. But you remember him!

His mask may be to some a nightmare but the force of his acting is strong enough to make itself felt through a disguise of putty and false hair and iron clamps that would annihilate the most potent of actors.

And in the end, no matter how repulsive the characters he plays, no matter how implacably villainous, he always becomes a hero — a tragic one, perhaps — who gains your sympathy and touches the heart.

.Lon himself had this to say, according to the article "My Darkest Hour":

"When I saw my first picture on the screen, a comedy, I wept!" And Lon Chaney grinned cheerfully, now that it was all safely in the past. "I had been playing a musical comedy and naturally supposed I could get over in pictures. In fact, I recall thinking how I would knock Ford Sterling — cold. As I considered Sterling a great artist, you see, I was aiming high.

"Instead of dealing him a blow, I gave it to myself, I was crushed, motor mortified, discouraged — oh, desperately discourage. I thought if this is screen comedy I'll go back to cold and dill, for at least my humor was welcomed on the stage.

"Positively, I did the most unfunny things imaginable before the camera, and for the life of me I couldn't get the idea. Well, I made three attempts, each worse than the last. Then one day, disgusted with my failure, I gritted my teeth and determined I'd win or die in the attempt.

"That very afternoon I ran into Jack O'Brian out on the lot: he was directing Jeannie MacPherson who wrote this scenarios and was being featured. Harry Van Meter was the lead. O'Brian told me he was looking for a heavy. I felt so discouraged with my comedy, however, that I thought I might as well take a chance, so went at it.

"Well, I made good, and Jeannie then wrote two stories expressly for me, one had a weird hunchback role — great! This was when I began the study of makeup. In musical comedies you can paste green whiskers on your chin, do a funny little dance along with your song and get away with it, so I knew nothing about makeup, but having embarked as a heavy in motion pictures I went at it heart and soul.

That story with the weird hunchback is what launched Chaney into the stratosphere. As part of his method, Chaney wore a pack of steel on his back, a steel vice which distorted his legs and of course the heavy on his face to portray the doomed man.

Lon Chaney died August 26, 1930.

For those who only know Chaney from his drama roles, you miss so much of what made him a great silent film star. If your ever in the mood, or one of the movie stations play some of his work, go yourself a favor and watch the master at work. For those who can't wait, here's the link to Phantom:
 Phantom of the Opera (silent film 1925)

For more intense reading, I recomment the books, both by Michael F. Blake. "The Man Behind the Thousand Faces" and "A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures"

Until next time, enjoy the remains of fall, don't eat too much Halloween candy and keep those eyes reading and those fingers writing.

For those who like the supernatural, you might enjoy the novella, "Angel of Salvation Valley". Below is an excerpt of the story of Drew and Lizzie:


Drew tried to remember the quote he used to say to get him through the days in solitary. He wanted to stop the noise, but every time he tried to recite it in his mind, his head began to sear with pain. It was an effort to hold the thought, but hold it he would. "You have power over your mind, not outside events. The choice you make defines you. Gra....". He did it, he held the thought, but the rest of the quote wouldn't come. Trying as much as he could, the rest was just out of reach. The pain was so overpowering he let it go.
Still, the conversation looped through Drew's brain over and over growing louder with each telling. Drew tried to close out the sound, but some part of his brain told him that would be useless. Between the moments of clarity, where the smell of dust and pine intruded on his memories, Drew's world twisted around the arrest, the trial, Harold, the prison break, on and on. Then his dead mother's words interrupted his thoughts.
"Andrew, what have you done?" she asked.
Drew saw her, felt he could reach out and touch her, looking just like he remembered her before she was killed in an accident..
"I didn't kill that man," Drew cried, reaching a hand toward her. After three years in prison, all in solitary, he stopped trying to make people believe. Now, he had to make sure his mother knew, but the pain in his head throbbed harder. He reached up, grabbing his head. He almost missed her words.
"I know you didn't, I'm sorry you had to suffer," she said reaching out to touch his face, abating the throbbing in his head for just a moment.

ebook- Amazon- purchase here








Doris Gardner-McCraw -

Author, Speaker, Historian-specializing in
Colorado and Women's History
Member of National League of American Pen Women,
Women Writing the West,
Pikes Peak Posse of the Westerners

Angela Raines - author: Where Love & History Meet
For a list of Angela Raines Books: Here 
Photo and Poem: Click Here 
Angela Raines FaceBook: Click Here

Monday, May 26, 2014

ZANE GREY'S LEGACY



Those of you who love the West enough to follow this blog have no doubt read at least one of Zane Grey's novels. Until researching this post, I had no idea that he had developed the basis for the long-running radio and television series "The Lone Ranger" and "Sergeant Preston of the Yukon." I'm probably giving away my age, but I used to watch both of those.


Zane Grey was a troubled, somewhat self-indulgent yet brilliant writer. While I don't approve of all aspects of his life (detest cheating spouses), I certainly admire his writing achievements. Those of us who write western historical romances owe him a great debt. With his acknowledged veracity and emotional intensity, he connected with millions of readers worldwide and inspired many of the western writers who followed him. He became one of the first millionaire authors, not bad when you consider what he'd be worth in today's currency.

Zane Grey was a major force in shaping the myths of the Old West. His books and stories were adapted into other media, such as film and TV productions. He was the author of more than 90 books, some published posthumously and/or based on serials originally published in magazines. His total book sales exceed 40 million. From the beginning, vivid description was the strongest aspect attributed to his writing.

Grey wrote not only westerns, but two hunting books, six children’s books, three baseball books, and eight fishing books. Many of them became bestsellers. According to Wikipedia, he wrote over nine million words in his career. From 1917 to 1926, Grey was in the top ten best-seller list nine times, which required sales of over 100,000 copies each time. Even after his death, Harper had a stockpile of his manuscripts and continued to publish a new title each year until 1963. During the 1940s and afterward, as Grey's books were reprinted as paperbacks, his sales exploded.

Grey suffered bouts of depression, anger, and mood swings, which affected him most of his life. As he described it, “A hyena lying in ambush—that is my black spell! I conquered one mood only to fall prey to the next...I wandered about like a lost soul or a man who was conscious of imminent death."


Pearl Zane Grey was born January 31, 1872, in Zanesville, Ohio. He was the fourth of five children born to Alice "Allie" Josephine Zane, whose English Quaker immigrant ancestor Robert Zane came to the North American colonies in 1673, and her husband, Lewis M. Gray, a dentist. His family changed the spelling of their last name to "Grey" after his birth. Later Grey dropped Pearl and used Zane as his first name. He grew up in Zanesville, a city founded by his maternal great-grandfather Ebenezer Zane, an American Revolutionary War patriot. Understandably; Zane Grey was intrigued by history from an early age. Grey developed interests in fishing, baseball, and writing, all of which contributed to his writing success. His first three novels recounted the heroism of ancestors who fought in the American Revolutionary War.

As a child, Grey frequently engaged in violent brawls, despite (or because of) his father's punishing him with severe beatings. Though irascible and antisocial like his father, Grey was supported by a loving mother and found a father substitute. Muddy Miser was an old man who approved of Grey's love of fishing and writing, and who talked about the advantages of an unconventional life. Despite warnings by Grey’s father to steer clear of Miser, the boy spent much time during five formative years in the company of the old man.

Grey was an avid reader of adventure stories such as Robinson Crusoe and Leatherstocking Tales and of dime novels featuring Buffalo Bill and Deadwood Dick. He was enthralled by and crudely copied the great illustrators Howard Pyle and Frederic Remington. He was particularly impressed with OUR WESTERN BORDER, a history of the Ohio frontier that likely inspired his earliest novels. Zane wrote his first story, "Jim of the Cave," when he was fifteen. His father tore it to shreds and beat him. As a writer, that horrified me! What a hard man and terrible parent his father must have been. Both Zane and his brother Romer were active, athletic boys who were enthusiastic baseball players and fishermen.

Supposedly due to shame from a severe financial setback in 1889 caused by a poor investment, Lewis Grey moved his family from Zanesville and started again in Columbus, Ohio. While the older man struggled to re-establish his dental practice, Zane Grey made rural house calls and performed basic extractions, which his father had taught him. The younger Grey practiced until the state board intervened. His brother Romer earned money by driving a delivery wagon. Grey also worked as a part-time usher in a movie theater and played summer baseball for the Columbus Capitols, with aspirations of becoming a major leaguer. Eventually, Grey was spotted by a baseball scout and received offers from many colleges. Romer also attracted scouts' attention and went on to have a professional baseball career.

Zane Grey in baseball uniform
for the University of Pennsylvania

(love the old-style uniform, don't you?)

Grey chose the University of Pennsylvania on a baseball scholarship, where he studied dentistry and joined Sigma Nu fraternity; he graduated in 1896. When he arrived at Penn, he had to prove himself worthy of a scholarship before receiving it. He rose to the occasion by coming in to pitch against the Riverton club, pitching five scoreless innings and producing a double in the tenth which contributed to the win. The Ivy League was highly competitive and an excellent training ground for future pro baseball players. Grey was a solid hitter and an excellent pitcher who relied on a sharply dropping curve ball. When the distance from the pitcher's mound to the plate was lengthened by ten feet in 1894 (primarily to reduce the dominance of Cy Young’s pitching), the effectiveness of Grey’s pitching suffered. He was re-positioned to the outfield. The short, wiry baseball player remained a campus hero on the strength of his timely hitting.

He was an indifferent scholar, barely achieving a minimum average. Outside class he spent his time on baseball, swimming, and creative writing, especially poetry. His shy nature and his teetotaling set him apart from other students, and he socialized little. Grey struggled with the idea of becoming a writer or baseball player for his career, but unhappily concluded that dentistry was the practical choice.

During a summer break, while playing summer nines in Delphos, Ohio, Grey was charged with, and quietly settled, a paternity suit. His father paid the $133.40 cost and Grey resumed playing summer baseball. He concealed the episode when he returned to Penn.

Grey went on to play minor league baseball with several teams, including the Newark, New Jersey Colts in 1898 and also with the Orange Athletic Club for several years. His brother Romer Carl "Reddy" Grey (known as "R.C." to his family) did better and played professionally in the minor leagues. He played a single major league game in 1903 for the Pittsburgh Pirates.

After graduating, Grey established his practice in New York City under the name of Dr. Zane Grey in 1896. It was a competitive area but he wanted to be close to publishers. He began to write in the evening to offset the tedium of his dental practice. He struggled financially and emotionally. Grey was a natural writer but his early efforts were stiff and grammatically weak. Whenever possible, he played baseball with the Orange Athletic Club in New Jersey, a team of former collegiate players that was one of the best amateur teams in the country.

Grey often went camping with his brother R.C. in Lackawaxen, Pennsylvania, where they fished in the upper Delaware River. When canoeing in 1900, Grey met seventeen year-old Lina Roth, better known as Dolly. She came from a family of physicians and was studying to be a schoolteacher.



After a passionate and intense courtship marked by frequent quarrels, Grey and Dolly married five years later in 1905. During his courtship of Dolly, Grey still saw previous girlfriends and warned her frankly, "But I love to be free. I cannot change my spots. The ordinary man is satisfied with a moderate income, a home, wife, children, and all that....But I am a million miles from being that kind of man and no amount of trying will ever do any good". He added, "I shall never lose the spirit of my interest in women."

After they married in 1905, Dolly gave up her teaching career. They moved to a farmhouse at the confluence of the Lackawaxen and Delaware rivers, in Lackawaxen, Pennsylvania, where Grey's mother and sister joined them. (This house, now preserved and operated as the Zane Grey Museum, is listed on the National Register of Historic Places.) Grey finally ceased his dental practice to devote full-time to his nascent literary pursuits. Dolly’s inheritance provided an initial financial cushion.

Zane Grey home in
Lackawaxen, Pennsylvania
While Dolly managed Grey's career and raised their three children, including son Romer Zane Grey, over the next two decades Grey often spent months away from the family. He fished, wrote, and spent time with his many mistresses. While Dolly knew of his behavior, she seemed to view it as his handicap rather than a choice. Throughout their life together, he highly valued her management of his career and their family, and her solid emotional support. In addition to her considerable editorial skills, she had good business sense and handled all his contract negotiations with publishers, agents, and movie studios. All his income was split fifty-fifty with her; from her "share", she covered all family expenses. Their considerable correspondence shows evidence of his lasting love for her despite his infidelities and personal emotional turmoil.

The Greys moved to California in 1918. In 1920 they settled in Altadena, California, where Grey bought a prominent mansion on East Mariposa Street, known locally as "Millionaire's Row". Designed by architects Myron Hunt and Elmer Grey (no relation to the author), the 1907 Mediterranean-style house is acclaimed as the first fireproof home in Altadena, built entirely of reinforced concrete as prescribed by the first owner's wife. Grey summed up his feelings for the city: "In Altadena, I have found those qualities that make life worth living."

Altadena, California estate
In Altadena Grey also spent time with his mistress Brenda Montenegro. The two met while hiking Eaton Canyon. Of her he wrote, "I saw her flowing raven mane against the rocks of the canyon. I have seen the red skin of the Navajo, and the olive of the Spaniards, but her...her skin looked as if her Creator had in that instant molded her just for me. I thought it was an apparition. She seemed to be the embodiment of the West I portray in my books, open and wild."

With the help of Dolly's proofreading and copy editing, Grey gradually improved his writing. His first magazine article, "A Day on the Delaware", a human-interest story about a Grey brothers’ fishing expedition, was published in the May 1902 issue of Recreation magazine. Elated by selling the article, Grey offered reprints to patients in his waiting room. In writing, Grey supposedly found temporary escape from the harshness of his life and his demons. "Realism is death to me. I cannot stand life as it is." By this time, he had given up baseball.

Grey read Owen Wister’s great Western novel THE VIRGINIAN. After studying its style and structure in detail, he decided to write a full-length work. Grey had difficulties in writing his first novel, BETTY ZANE (1903). When it was rejected by Harper & Brothers, he lapsed into despair. The novel dramatized the heroism of an ancestor who had saved Fort Henry. He self-published it and became an indie author.☺

After attending a lecture in New York in 1907 by Charles Jesse "Buffalo" Jones, western hunter and guide who had co-founded Garden City, Kansas, Grey arranged for a mountain lion-hunting trip to the North Rim of the Grand Canyon. He brought along a camera to document his trips and prove his adventures. He also began the habit of taking copious notes, not only of scenery and activities but of dialogue. His first two trips were arduous, but Grey learned much from his compatriot adventurers. He gained the confidence to write convincingly about the American West, its characters, and its landscape. Treacherous river crossings, unpredictable beasts, bone-chilling cold, searing heat, parching thirst, bad water, irascible tempers, and heroic cooperation all became real to him.


He wrote, "Surely, of all the gifts that have come to me from contact with the West, this one of sheer love of wildness, beauty, color, grandeur, has been the greatest, the most significant for my work."

Upon returning home in 1909, Grey wrote a new novel, THE LAST OF THE PLAINSMEN, describing the adventures of Buffalo Jones. Harper’s editor Ripley Hitchcock rejected it, the fourth work in a row. He told Grey, "I do not see anything in this to convince me you can write either narrative or fiction." Grey wrote dejectedly,

"I don’t know which way to turn. I cannot decide what to write next. That which I desire to write does not seem to be what the editors want...I am full of stories and zeal and fire...yet I am inhibited by doubt, by fear that my feeling for life is false".

The book was later published by Outing magazine, which provided Grey some satisfaction. Grey next wrote a series of magazine articles and juvenile novels.

With the birth of his first child pending, Grey felt compelled to complete his next novel and his first Western, THE HERITAGE OF THE DESERT. He wrote it in four months in 1910. It quickly became a bestseller. Grey took his next work to Hitchcock again; this time Harper published his work, an historical romance in which Mormon characters were of central importance. Grey continued to write popular novels about Manifest Destiny, the conquest of the Old West, and the behavior of men in elemental conditions.


Two years later Grey produced his best-known book, RIDERS OF THE PURPLE SAGE (1912), his all-time best-seller, and one of the most successful western novels of all. Hitchcock rejected it, but Grey took his manuscript directly to the vice president of Harper, who accepted it. As Zane Grey had become a household name, after that Harper eagerly received all his manuscripts. Other publishers caught on to the commercial potential of the western novel. Max Brand and Ernest Haycox were among the most notable of other writers of westerns. Grey's publishers paired his novels with some of the best illustrators of the time, including N. C. Wyeth, Frank Schoonover, Douglas Duer, Herbert W. Dunton, W. H. D. Koerner, and Charles Russell.

Grey had the time and money to engage in his first and greatest passion: fishing. From 1918 until 1932, he was a regular contributor to Outdoor Life magazine. As one of its first celebrity writers, he began to popularize big-game fishing. Several times he went deep-sea fishing in Florida to relax and to write in solitude. Although he commented that “the sea, from which all life springs, has been equally with the desert my teacher and religion,” Grey was unable to write a great sea novel. He felt the sea soothed his moods, reduced his depressions, and gained him the opportunity to harvest deeper thoughts:

"The lure of the sea is some strange magic that makes men love what they fear. The solitude of the desert is more intimate than that of the sea. Death on the shifting barren sands seems less insupportable to the imagination than death out on the boundless ocean, in the awful, windy emptiness. Man’s bones yearn for dust."

Over the years, Grey spent part of his time traveling and the rest of the year wrote novels and articles. Unlike writers who could write every day, Grey would have dry spells and then sudden bursts of energy, in which he could write as much as 100,000 words in a month. He encountered fans in most places. He kept a cabin on the Rogue River in Oregon. Other excursions took him to Washington state and Wyoming.

From 1923 to 1930, he spent a few weeks a year at his cabin on the Mogollon Rim, in Central Arizona. After years of abandonment and decay, the cabin was restored in 1966 by Bill Goettl, a Phoenix air conditioning magnate. He opened it to the public as a free-of-charge museum. The Dude Fire destroyed the cabin in 1990. It was later reconstructed 25 miles away in the town of Payson.

During the 1930s, Grey continued to write, but the Great Depression hurt the publishing industry. His sales fell off, and he found it more difficult to sell serializations. He had avoided the Stock Market Crash and continued to earn royalty income, so did better than many financially. In the 1930s, nearly half of the film adaptations of his novels were made.

From 1925 to his death in 1939, Grey traveled more and further from his family. He became interested in exploring unspoiled lands, particularly the islands of South Pacific, New Zealand and Australia. He thought Arizona was beginning to be overrun by tourists and speculators. Near the end of his life, Grey looked into the future and wrote:

Grey with a koala on his travels
"The so-called civilization of man and his works shall perish from the earth, while the shifting sands, the red looming walls, the purple sage, and the towering monuments, the vast brooding range show no perceptible change."

The more books Grey sold, the more the established critics attacked him. They claimed his depictions of the West were too fanciful, too violent, and not faithful to the moral realities of the frontier. They thought his characters unrealistic and much larger-than-life. Broun stated that “the substance of any two Zane Grey books could be written upon the back of a postage stamp.”

T. K. Whipple praised a typical Grey novel as a modern version of the ancient Beowulf saga, “a battle of passions with one another and with the will, a struggle of love and hate, or remorse and revenge, of blood, lust, honor, friendship, anger, grief—all of a grand scale and all incalculable and mysterious.” But he also criticized Grey’s writing, “His style, for example, has the stiffness which comes from an imperfect mastery of the medium. It lacks fluency and facility.”

Grey based his work in his own varied first-hand experience, supported by careful note-taking, and considerable research. Despite his great popular success and fortune, Grey read the reviews and sometimes became paralyzed by negative emotions after critical ones.

His novel THE VANISHING AMERICAN (1925), first serialized in The Ladies’ Home Journal in 1922, prompted a heated debate. People recognized its Navajo hero as patterned after Jim Thorpe, a great Native American athlete. Grey portrayed the struggle of the Navajo to preserve their identity and culture against corrupting influences of the white government and of missionaries. This viewpoint enraged religious groups. Grey contended, "I have studied the Navaho Indians for twelve years. I know their wrongs. The missionaries sent out there are almost every one mean, vicious, weak, immoral, useless men." To have the book published, Grey agreed to some structural changes. With this book, Grey completed the most productive period of his writing career, having laid out most major themes, character types, and settings.

His WANDERER OF THE WASTELAND is a thinly disguised autobiography. One of his books, TALES OF THE ANGLER'S EL DORADO, NEW ZEALAND, helped establish the Bay of Islands in New Zealand as a premier game fishing area. Several of his later writings were based in Australia.

As a loyal tree-hugger, this next phase positiverly nauseates me! Grey co-founded the "Porpoise Club" with his friend, Robert H. Davis of Munsey's Magazine, to popularize the sport of hunting of dolphins and porpoises. They made their first catch off Seabright, New Jersey on September 21, 1912, where they harpooned and reeled in a bottlenose dolphin. Arghhhh!  Dolphins and porpoises are so intelligent and harmless. Grey should have stuck with writing, in my opinion. (Yes, you can email me your protests.)

Grey's son Loren claims in the introduction to TALES OF TAHITIAN WATERS that Zane Grey fished on average 300 days a year through his adult life. Grey and his brother R.C. were frequent visitors to Long Key, Florida, where they helped to establish the Long Key Fishing Club, built by Henry Morrison Flagler. Zane Grey was its president from 1917 to 1920. He pioneered the fishing of Boohoo fish (sailfish). Zane Grey Creek was named for him.

Grey fished out of Wedgeport, Nova Scotia, for many summers. He also helped establish deep-sea sport fishing in New South Wales, Australia, particularly in Bermagui, New South Wales, which is famous for Marlin fishing. Patron of the Bermagui Sport Fishing Association for 1936 and 1937, Grey wrote of his experiences in his book AN AMERICAN ANGLER IN AUSTRALIA.

From 1928 on, Grey was a frequent visitor to Tahiti. He fished the surrounding waters several months at a time and maintained a permanent fishing camp at Vairao. He claimed that these were the most difficult waters he had ever fished, but from these waters he also took some of his most important records, such as the first marlin over 1,000 pounds. He held numerous world records during his time, all of which have since been broken.

Grey had built a getaway home in Santa Catalina Island, California, which now serves as the Zane Grey Pueblo Hotel. He served as president of Catalina's exclusive fishing club, the Tuna Club of Avalon.

Grey started his association with Hollywood when William Fox bought the rights to RIDERS OF THE PURPLE SAGE for $2,500 in 1916. The ascending arc of Grey’s career matched that of the motion picture industry. It eagerly adapted Western stories to the screen practically from its inception, with Bronco Billy Anderson becoming the first major western star. Legendary director John Ford was then a young stage hand and William S. Hart, who had been a real cowhand, was defining the persona of the film cowboy. The Grey family moved to California to be closer to the film industry and to enable Grey to fish in the Pacific.


After his first two books were adapted to the screen, Grey formed his own motion picture company. This allowed him to control production values and faithfulness to his books. After seven films he sold his company to Jesse Lasky, who was a partner of the founder of Paramount Pictures. Paramount made a number of movies based on Grey's writings and hired him as advisor. Many of his films were shot at locations described in his books. In 1936 Grey appeared as himself in a feature film shot in Australia, WHITE DEATH (1936).

Grey became disenchanted by the commercial exploitation and pirating of his works. He felt his stories and characters were diluted by being adapted to film. Nearly fifty of his novels were converted into over one hundred Western movies, the most by any Western author. Shortly after Grey's death, the success of Fritz Lang's "Western Union" (1941), a film based on one of his books, helped bring about a resurgence in Hollywood westerns. Its costars were Randolph Scott and Robert Young. The period of the 1940s and 1950s included the great works of John Ford, who successfully used the settings of Grey’s novels in Arizona and Utah.

The success of Grey's THE LONE STAR RANGER (a novel later turned into a 1930 film) and KING OF THE ROYAL MOUNTED (popular as a series of Big Little Books and comics, later turned into a 1936 film), inspired two radio series by George Trendle (WXYZ, Detroit). Later these were adapted again for television, forming the series "The Lone Ranger" and "Challenge of the Yukon" (Sgt. Preston of the Yukon on TV). More of Grey's work was featured in adapted form on the Zane Grey Show, which ran on the Mutual Broadcasting System for five months in the 1940s, and the “Zane Grey Western Theatre”, which had a five-year run of 145 episodes.

Zane Grey 1872-1939

Zane Grey died of heart failure on October 23, 1939, at his home in Altadena, California. He was interred at the Union Cemetery in Lackawaxen, Pennsylvania, where the National Park Service maintains the Zane Grey Museum.

Sources:
photos - Wikipedia and Google commons
http://en.wikipedia.org/wiki/Zane_Grey
http://www.zanegreyinc.com/zgbio.html

Monday, September 10, 2012

MY HEROES HAVE ALWAYS BEEN COWBOYS





By Terry Irene Blain, Guest Author

Yes, I admit, my heroes have always been cowboys. My love of cowboys came from old western movies. Here were men who were larger than life, who stood up for what they believed in, who’s word was their bond, who were willing to do what had to be done. And when they fell in love, it was deep and forever — even if they fought it at first.

Nothing surprised me more when I started to write, than that I chose set my stories in the American frontier. Now, it wasn’t a surprise that I chose to write historicals –after all, I have a BA and MA and a second BA in History and taught US History and Western Civilization at the college level. However, I liked teaching Western Civ more than US History and my MA had specialization in Tudor and Stuart England, and the second BA in European Studies. But when it came time to write it was the frontier and the cowboy who caught my imagination. Big surprise.

Guess Fredrick Jackson Turner was right. Turner, a historian, presented his "frontier thesis" in 1893 at the American Historical Association, stating that it was the westward expansion that formed the American character, making us, as Ben Franklin said, a new race that was rougher, simpler, more enterprising, less refined.



I think now it was the frontier aspect that drew me, as on the edge of civilization, it took a man and a woman working together to make a home. This was the basis for my first novel, KENTUCKY GREEN, when the frontier was “the land beyond the mountains,” the Kentucky and Ohio territory in 1794. My hero, although he’s not a cowboy, has all those cowboy characteristics. But for most people Turner’s westward expansion brings to mind the cowboy. Which leads me right back to my old western movies.

When I was teaching, I used to have the student watch “Stagecoach”  (1939) and discuss how the character portrayed the values of the time. If you haven’t seen the movie (shame on you!) a group of disparate individual undertake a dangerous stagecoach trip through Indian Territory. Our hero, the Ringo Kid (John Wayne, where director John Ford gave Wayne’s character the greatest screen introduction ever) is out to get the man who killed his father and brother. There is the “good woman,” a military wife on the way to join her husband, and the “bad woman,” the dancehall girl run out of town. The Confederate and the Union veteran. And of course, our hero helps save the day when the Indians attack. Here are our cowboy values of putting the good of the group before personal advantage, care and protection for those who need it. Courage in the face of danger (the Indian attack).

John Wayne as Ringo Kid in "Stagecoach"


Ringo also shows determination to get revenge on the man who killed his family. This is often part of the “man’s gotta do what a man’s gotta do” philosophy of the frontier. The average man, our hero, is forced to act as the law as either the law is absent (part of the definition of frontier) or unable or unwilling to do the job that needs to be done to protect society. And, of course, after the final shoot out, our hero and his girl ride off to start a new life together. The “new start” part of the frontier standing for redemption
“Stagecoach” is #9 on the American Film Institute’s Top Ten Westerns.

I also used to show part of “Red River” (1948) to my classes. This movie is #5 on the American Film Institute’s Top Ten Westerns. In the first part (a prologue actually), our hero, Tom Dunstan (John Wayne) leaves the wagon train heading to California and the girl he’s fallen in love with to go to Texas to start his ranch, saying he’ll send for her. She fails to convince him to let her go with him, and says she’ll come.



I liked to use this to point out to my classes, who were used to instant communication, how you have to understand the times the people lived in to understand the history of what they said and did. I used to ask the men in my class, how are you going to send for her? A letter? Who would carry the letter? How would you address it? Would you go yourself? How would you find her? Then I’d ask the women in my class – how long do you wait for this guy to send for you? A year? Two years? Forever?

Perhaps part of the pull of the western is the lack of technology that sometimes seems to overwhelm and swamp the personal and individual in today’s society. People seemed more important than things in the west. Relationships were personal. Today we can spend more time with our computer that with our family.

John Wayne, Montgomery Clift, Walter Brennan
in "Red River" 1948


The main part of “Red River” deals with the dangerous cattle drive north many years later. Here again we see the cowboy hero in several guises. Dunston (Wayne), who willing to do what no man has done, the cattle drive to try and save not only his ranch but all the surrounding ranches. Dunston willing to step up and take responsibility. He’s helped by his surrogate son, Matthew Garth (Montgomery Clift) and a cast of great secondary characters. As the cattle drive is beset with disasters, Dunston becomes more autocratic and driven to the point that Matthew rebels and takes over the herd. Matthew standing up to and against the man he loves like a father, necessary to do what right in his mind. Matt says, “know he (Dunstan) was wrong. Sure hope I’m right.” The story is not only one of man against nature (taming the frontier), but of Matthew (Clift) and his conflict with Dunstan (Wayne), each man doing what he thinks is right as the central theme of the film.

And, of course, there is a romance between Matt and the girl he meets, falls in love with, but must leave to complete the cattle drive. This romance between Matt and Tess (Joanne Dru) is what help lead to the final reconciliation between the men. This is a great movie with a young and beautiful Montgomery Clift and John Wayne allowed to act before all the directors wanted him to do was be John Wayne.

Jimmy Stewart

The Forties and Fifties were a great time for western movies, really too many to mention. But you might recall a few with Jimmy Stewart such as “Winchester ’73,” or “The Far Country.”
Randolph Scott working with directory Bud Boetticher made several good western such as “The Tall T,” and don’t miss “Seven Men From Now” if only for the final gun fight between Scott and Lee Marin as the ‘good’ bad guy.

For lots of good cowboy heroes, there is always what’s known as director John Ford’s Cavalry trilogy, “Fort Apache,” “She Wore a Yellow Ribbon,” and “Rio Grande.” These three, along with “Stagecoach” were shot in Monument Valley and the scenery is as much a character as the actors. Especially the storm in “She Wore a Yellow Ribbon” which blew up as they were filming, and Ford kept right on filming. No special effect, just the real thing.

Monument Valley, Idaho
Photo by Wolfgang Staudt


I think part of the allure of the cowboy is the wide open spaces and scenery that surrounds him. It was the remembered clean, clear and bright mountain scenery around Durango, Colorado that made me set COLORADO SILVER, COLORADO GOLD there. My cowboy hero is an undercover officer for Wells Fargo who, of course, is determined, brave and does the best he can. And, of course, as all western heroines, the woman he falls in love with is strong, capable and makes him realize he’s a better man than he thinks he is.




Modern westerns in the old tradition are starting to turn up on television, such as “Broken Trail” (2007) with Robert Duvall as the older mentor and Thomas Haden Church as his nephew.



And the traditional cowboy values are showcased in “Open Range” (2003) with Kevin Costner teaming with Robert Duvall, as two itinerate cowboy who end up taking on a corrupt sheriff and town boss – doing what needs to be done to make the community safer and revenge their friend. Also a nice little romance between Charlie (Kevin Costner) and Sue (Annette Bening).




Even the contemporary cowboy has those values. “My Heroes Have Always Been Cowboys” (1991) where an estranged son and father re-connect as he finds love with an old flame. How much better would things be today, if those cowboy values – honest, true to their word, willing to sacrifice to help those who can’t help themselves, putting the good of the community before their personal needs when necessary.

Yep, my heroes have always been cowboys. I watch the old movies any chance I get, and keep a lookout to see if they are out in DVD to replace the VHS tapes I have. My current favorite is “Tall In The Saddle.” Did I miss mentioning one of your favorite westerns? I know I missed some of mine. Do you watch the old movies, or do you have a favorite “modern” western?




                COLORADO SILVER, COLORADO GOLD

To protect her siser, Juliette Lawson stole documents and fled west. Now Wes Westmoreland, undercover lawman, threatens both her plan and her heart.

Socialite Juliette Lawson fled west from Philadelphia on a train and in disguise. In Colorado she’d be safe; she’d take work with her uncle at the Rio d’Oro, his smelting operation. Her actions back east had been wrong, but to protect her pregnant sister from scandal she would have done anything. Then she met a man as hungry for answers as she was for independence. A handsome, honorable man. For him, she wished the truth was hers to tell.

From the first, Wes Westmoreland knew he couldn’t trust her. Having grown up in the saloons and brothels of San Francisco, he saw trust, like love, as a luxury an undercover lawman couldn’t afford. Not on a job like this one, not with gold involved. This woman dressed as a widow was clearly hiding something; he’d felt it the moment they touched. But he’d felt other things too, stir­rings in his heart, and for the first time ever, he saw riches worth the peril.

Check at http://www.boroughspublishinggroup.com/ for more information on the books, and a free first chapter.

Terry Irene Blain, Guest Author


Terry Irene Blain was lucky enough to grow up in a large Midwestern family with a rich oral tradition. As a child she heard stories of ancestor s adventures with Indians, wild life, weather and frontier life in general. So she naturally gravitated to the study of history, completing a BA and MA in History and taught History at the college level. Married to a sailor, now retired, she’s had the chance to live in various parts of the country as well as travel to foreign places such as Hong Kong, Australia, England and Scotland.

Terry Irene Blain
Escape to the past with a romantic adventure
http://www.terryireneblain.com

Saturday, May 26, 2012

AMERICAN HERO AND WESTERN STAR, AUDIE MURPHY

By Caroline Clemmons


Audie Leon Murphy

Who better to honor this Memorial Weekend than Audie Murphy? Through LIFE magazine's July 16, 1945 issue ("Most Decorated Soldier"/cover photo), Audie Leon Murphy became one the most famous soldiers of World War II and widely regarded as the most decorated American soldier of the war. After the war he became a celebrated movie star for over two decades, appearing in 44 films. He later had success as a country music composer. And how appropriate that we honor him this weekend. In addition to be America’s Most Decorated Soldier, Audie Murphy died in a plane crash on Memorial Day Weekend, May 28, 1971.

Audie Murphy, one of the few
childhood photos available
Audie Leon Murphy was born to sharecroppers near the community of Kingston in Hunt County, Texas. His parents were of Irish descent, Emmett Berry Murphy (February 20, 1886–September 20, 1976), and his wife, Josie Bell (née Killian (1891–1941). He grew up on farms in Hunt County and has several memorials there. He was the sixth of twelve children, two of whom died before reaching adulthood.

In 1933, Emmett and Josie Murphy with their 5 children June, Audie, Richard, Gene, and Nadine moved to Celeste, Texas with the primary purpose of enrolling the children in school. They lived in an abandoned railroad boxcar on the southern end of the small community for several months before renting a rundown home in Celeste until 1937. The railroad car no longer exists.

While the family lived in Celeste, the two remaining Murphy children, Beatrice and Joseph, were born. It was here that Audie befriended the Cawthon family who played a prominent role in his life. In 1937, the Murphy family moved back into the abandoned railroad car for several weeks and then moved to a farm near Floyd, Texas located just west of Greenville. Audie finally moved out on his own in 1939 at the age of 15 after finding a job with Haney Lee, who had a farm nearby.

Audie with his Killian
grandparents in Farmersville TX
Audie spent a lot of time with his grandparents, Jefferson D. and Sarah Elizabeth Killian, at their home in Farmersville, Texas. In fact, the Killian was a place of refuge for the Murphy children when times were difficult during the years of the depression. At the height of the depression, around 1929 or 1930, Audie's oldest sister, Corrine, left the Murphy family and moved in with the grandparents to help relieve some of the financial stress burdening the Murphy family.

As the family moved from community to community over the years, they never strayed too far from the Killian home. Around 1933-36 (depending on the account), Emmett Murphy, who was known to disappear for weeks at a time while apparently seeking employment, finally vanished permanently. He had attempted to convince his wife and family to move with him to West Texas where he hoped to find work in the oil fields. Unconvinced that this was a wise move, Mrs. Murphy did not want to leave the area where her parents and lifelong friends lived.

Audie dropped out of Celeste school in the fifth grade to help support the family. He worked for one dollar per day, plowing and picking cotton on any farm that would hire him. Murphy became very skilled with a rifle, hunting small game like squirrels, rabbits, and birds to help feed the family.

Audie with a rabbit for dinner
One of his favorite hunting companions was neighbor Dial Henley. When Henley commented that Murphy never missed what he shot at, Murphy replied, "Well, Dial, if I don't hit what I shoot at, my family won't eat today." 

On May 23, 1941, his mother died. At the time of their mother's death, Audie was approximately 17 years old and was declared by the county to be old enough to take care of himself. The placement of his siblings in the Boles Childrens Home in nearby Quinlan was an event that Audie vowed to correct. On more than one occasion during the war, he told his buddies that he hoped to someday earn enough money to reunite what remained of his family.

As it turned out, Audie was able to keep his promise. He worked at a combination general store, garage and gas station in Greenville. Boarded out, he worked in a radio repair shop. Later that year, with the approval of his older, married sister, Mrs. Elizabeth Corinne Burns (usually referred to as "Corrine"), who was unable to help, Murphy placed his three youngest siblings in an orphanage to ensure their care. He reclaimed them after World War II.

He had long dreamed of joining the military. After the attack on Pearl Harbor on December 7, 1941, Murphy tried to enlist in the military, but the services rejected him because he was underage. In June 1942, shortly after what he and his sister Corrine believed was his 17th birthday, Corrine adjusted his birth date so he appeared to be 18 and legally able to enlist. His war memoirs, TO HELL AND BACK, maintained this misinformation, leading to later confusion and contradictory statements about his year of birth.

Audie's mother holding
his brother Eugene
Murphy was small, only 5 ft 5 inch and 110 pounds, but he tried once again to enlist and was declined by both the Marines and Army paratroopers as too short and underweight. The Navy also turned him down for being underweight. The United States Army finally accepted him and he was inducted at (some reports say Dallas) Greenville, Texas and sent to Camp Wolters near Mineral Wells, Texas for basic training. During a session of close order drill, he passed out. His company commander tried to have him transferred to a cook and bakers' school but Murphy insisted on becoming a combat soldier, and after 13 weeks of basic training, he was sent to Fort Meade, Maryland for advanced infantry training.

Murphy was awarded 33 U.S. decorations and medals, five medals from France, and one from Belgium. He received every U.S. decoration for valor available to Army ground personnel at the time. He earned the Silver Star twice in three days, two Bronze Star Medals, three Purple Hearts, the Distinguished Service Cross, and the Medal of Honor.

After seeing the young hero's photo on the cover of the July 16 edition of Life Magazine and sensing star potential, actor James Cagney invited Murphy to Hollywood in September 1945. Despite Cagney's expectations, the next few years in California were difficult for Murphy. He became disillusioned by the lack of work, was frequently broke, and slept on the floor of a gymnasium owned by his friend Terry Hunt. He eventually received token acting parts in the 1948 films “Beyond Glory” and “Texas, Brooklyn and Heaven.” His third movie, “Bad Boy,” gave him his first leading role.

On set of "Red Badge
of Courage" 1951
He also starred in the 1951 adaptation of Stephen Crane's Civil War novel, “The Red Badge of Courage,” which earned critical success. Murphy expressed great discomfort in playing himself in “To Hell and Back.” In 1959, he starred in the western “No Name on the Bullet,” in which his performance was well-received despite being cast as the villain, a professional killer who managed to stay within the law.

After returning home from World War II, Murphy bought a house in Farmersville, Texas for his oldest sister Corrine, her husband Poland Burns, and their three children. His three youngest siblings, Nadine, Billie, and Joe, had been living in an orphanage since Murphy's mother's death, He intended that they would be able to live with Corrine and Poland. However, six children under one roof proved difficult for Corrine and Poland to parent, and Murphy took his siblings to live with him.

Despite a lot of post-war publicity, his acting career had not progressed and he had difficulty making a living. Buck, Murphy's oldest brother, and his wife agreed to take Nadine in, but Murphy could not find a home for Joe. He approached James "Skipper" Cherry, a Dallas theater owner who was involved with the Variety Clubs International Boy's Ranch, a 4,800 acres ranch near Copperas Cove, Texas. He arranged for Joe to live at the Boy's Ranch. Reportedly, Joe was very happy there and Murphy was able to frequently visit his brother as well as his friend Cherry. In a 1973 interview, Cherry recalled, "He was discouraged and somewhat despondent concerning his movie career."

Playing cowboys with sons on the set
Variety Clubs International was financing “Bad Boy,” a film to help promote the organization's work with troubled children. Cherry called Texas theater executive Paul Short, who was producing the film, to suggest that they consider giving Murphy a significant role in the movie. Murphy performed well in the screen test, but the president of Allied Artists did not want to cast someone in a major role with so little acting experience. Cherry, Short, and other Texas theater owners decided that they wanted Murphy to play the lead or would not finance the film. The producers agreed and Murphy's performance was well-received by Hollywood. As a result of the film, Universal Studios signed Murphy to a seven-year studio contract. After a few box-office hits at Universal, the studio bosses gave Murphy increased scope in choosing his roles.

On set of "To Hell And Back" he
shows son Terry a German helmet
Murphy's 1949 autobiography TO HELL AND BACK became a national bestseller. The book was ghostwritten by his friend, David "Spec" McClure, already a professional writer. Murphy modestly described some of his most heroic actions—without portraying himself as a hero. He did not mention any of the many decorations he received, but praised the skills, bravery, and dedication of the other members of his platoon. Murphy even attributed a song he had written to "Kerrigan".

Murphy portrayed himself in the 1955 film version of his book with the same title, “To Hell and Back.” Murphy was initially reluctant to star in the movie, fearing it would appear he was cashing in on his war experience. He suggested Tony Curtis for the role. Unlike in most Hollywood films, where the same soldiers serve throughout the movie, Murphy's comrades are killed or wounded as they were in real life. At the film's end, Murphy is the only member of his original unit remaining. At the ceremony where Murphy is awarded the Medal of Honor, the ghostly images of his dead friends are depicted. This insistence on reality has been attributed to Murphy and his desire to honor his fallen friends. Audie Murphy's oldest son, Terry, portrayed Audie's younger brother Joseph Preston "Joe" Murphy (at age four).

The film grossed almost $10 million during its initial theatrical release, and at the time became Universal Studios's biggest hit of the studio's 43-year history. The movie thought to have held the record as the company's highest-grossing motion picture until 1975, when it was surpassed by Steven Spielberg's “Jaws.”

Audie Murphy on the set of one of his westerns
In the 25 years he spent in Hollywood, Murphy made 44 feature films, 33 of them Westerns. He played outlaws Billy the Kid, Jesse James, and Bill Doolin. His films earned him close to $3 million in his 23 years as an actor. He also appeared in several television shows, including the lead in the short-lived 1961 NBC western detective series “Whispering Smith,” set in Denver, Colorado. For his contribution to the motion picture industry, Murphy has a star on the Hollywood Walk of Fame at 1601 Vine Street.

In addition to acting, Murphy also became successful as a country music songwriter. He teamed up with musicians and composers including Guy Mitchell, Jimmy Bryant, Scott Turner, Coy Ziegler, Ray and Terri Eddlemon. Murphy's songs were recorded and released by well-known artists including Dean Martin, Eddy Arnold, Charley Pride, Jimmy Bryant, Porter Waggoner, Jerry Wallace, Roy Clark, and Harry Nilsson. His two biggest hits were "Shutters and Boards" and "When the Wind Blows in Chicago".
Family Photo

Murphy was reportedly plagued by insomnia, bouts of depression, and nightmares related to his numerous battles throughout his life. His first wife, Wanda Hendrix, often talked of his struggle with this condition, even claiming that he had held her at gunpoint once. For a time during the mid-1960s, he became dependent on doctor-prescribed sleeping pills called Placidyl. When he recognized that he had become addicted to the drug, he locked himself in a motel room where he took himself off the pills, going through withdrawal for a week.

Always an advocate of the needs of America's military veterans, Murphy eventually broke the taboo about publicly discussing war-related mental conditions. In an effort to draw attention to the problems of returning Korean and Vietnam War veterans, Murphy spoke out candidly about his own problems with PTSD, known then and during World War II as "battle fatigue". He called on the United States government to give increased consideration and study to the emotional impact that combat experiences have on veterans, and to extend health care benefits to address PTSD and other mental-health problems suffered by returning war veterans.

Murphy married actress Wanda Hendrix in 1949; they were divorced in 1951. He then married former airline stewardess Pamela Archer, by whom he had two children: Terrance Michael "Terry" Murphy (born 1952) and James Shannon "Skipper" Murphy (born 1954). They were named for two of his most respected friends, Terry Hunt and James "Skipper" Cherry, respectively. Murphy became a successful actor, rancher, and businessman, breeding and raising Quarter Horses. He owned ranches in Texas, Tucson, Arizona and Menifee, California.

Monument in his honor
Celeste, Texas
On May 28, 1971, Murphy was killed when the private plane in which he was a passenger crashed into Brush Mountain, near Catawba, Virginia, 20 miles west of Roanoke, Virginia in conditions of rain, clouds/fog and zero visibility. The pilot and four other passengers were also killed. In 1974, a large granite marker was erected near the crash site. On June 7, 1971, Murphy was buried with full military honors at Arlington National Cemetery. A special flagstone walkway was later constructed to accommodate the large number of people who visit to pay their respects. It is the second most-visited grave site, after that of President John F. Kennedy.

The headstones of Medal of Honor recipients buried at Arlington National Cemetery are normally decorated in gold leaf. Murphy previously requested that his stone remain plain and inconspicuous, like that of an ordinary soldier. An unknown person maintains a small American flag next to his engraved Government-issue headstone, which reads as follows:

Audie L. Murphy, Texas. Major, Infantry, World War II. June 20, 1924 to May 28, 1971. Medal of Honor, DSC, SS & OLC, LM, BSM & OLC, PH & 2 OLC.

Statue in his honor stands in front of
The Audie Murphy/American Cotton Museum
Greenville, Hunt County, Texas
Murphy’s diverse honors are far too numerous to list here so I’ll mention only those in the county of his birth. From the mid-1990s through the present, an annual celebration of Murphy and other veterans in all branches of service has been held on the weekend closest to Murphy's birthday at the American Cotton Museum, renamed The Audie Murphy/American Cotton Museum (in Greenville, Texas), which houses a large collection of Murphy memorabilia and personal items. His statue stands in front of the museum. A monument in his honor stands in Celeste, the small town where he attended school for five years. Farmersville also claims Audie Murphy, since that is where his sister Corinne lived and the address on his draft information. Highway 69 from Greenville to Fannin County is the Audie Murphy Memorial Highway, and Highway 34 crosses the railroad tracks in Greenville on the Audie Murphy Memorial Overpass. Mark your calendar for the 13th annual Audie Murphy Day celebration in Farmersville, Texas with a Military flyover at 10 am followed by parade downtown and program under the Onion Shed.

As we remember those who have gone before us this weekend, let’s remember soldiers like Audie Leon Murphy and his comrades.



Thanks to Wikipedia, www.audiemurphy.com, and the Chambers of Commerce of Greenville, Celeste, and Farmersville, Texas.