Showing posts with label COLORADO SILVER. Show all posts
Showing posts with label COLORADO SILVER. Show all posts

Thursday, March 26, 2020

CREEDE, A COLORADO SILVER BOOMTOWN

By Caroline Clemmons


The California Gold Rush that followed the 1848 discovery was credited as the largest and most important event in the opening of the western frontier. The California Gold Rush set the stage for many smaller rushes and booms throughout the west.

In addition to gold rushes, there were a series of silver rushes. Creede was the last silver boom town in Colorado in the 19th century. The town leapt from a population of 600 in 1889 to more than 10,000 in December 1891. The Creede mines operated continuously from 1890 until 1985. They were served by the Denver & Rio Grande Railroad. Traveling by highway today, Creede is about 265 miles southwest of Denver and about 260 miles north of Albuquerque. Creede is located in southwest Colorado just north of the Rio Grande River and east of the San Juan Mountains. 

Nicholas Creede
A miner named Nicholas Creede was prospecting in what became North Creede in 1890. 

Supposedly, when he hit a rich strike he said. “Holy Moses, I’ve struck it rich.”

That makes me laugh, but he was right. The Holy Moses Mine became one of the most profitable in the region.

The small boom of 1890 increased when Nicholas Creede sold the Holy Moses mine for $70,000 to three investors who were connected with the D&RG Railroad. Creede was to receive a stipend of $100 a month to continue prospecting plus one-third of all future finds. He then located the rich Amethyst vein which included several lucrative mines. His income was estimated at $1,000 per day in 1892.
News of the big sale brought more people to Creede. At the same time, the Sherman Silver Purchase Act was passed by Congress in 1890, almost doubling the price of silver. You can understand why this brought increased numbers of prospectors to the Rocky Mountains where there were known silver strikes. 

Creede, Colorado, 1892
As more people heard of the strike, a camp bloomed in lower East Willow Canyon. Shacks, cabins and businesses began to be built. Some of those who came were families with women and children as a part of camp life from its beginning. The camp was first called Willow Camp, but in the fall of 1890 the miners voted to change the name to Creede. The narrow canyon was soon overflowing, so building was extended downstream and into Willow Canyon. This canyon was slightly larger, so cabins, houses and businesses were built there, too. However, the tale is that town space was at such a premium that buildings were even constructed on stilts in the river.

The year of 1892 was the biggest boom time in Creede’s history. By late spring, the boom brought miners, businessmen and ordinary folks. But it also brought in scoundrels – con men, gamblers, ladies of the night, gunslingers and others who wanted to mine the miners rather than the hills.

Bob Ford
Bob Ford, infamous killer of Jesse James, found his way there and he soon became the “camp boss” of all the shady businesses in town. A month later, Jefferson Randolf (Soapy) Smith arrived with his soap game. Smith challenged Ford to be the “camp boss” and Soapy won out. In June of 1892, Bob Ford was shot to death in his tent saloon by Ed O’Kelley.
Because of Bob Ford, Soapy Smith and all the saloons, gambling halls, gunfights and undesirable people and incidents, Creede got the reputation as one of the wildest boom towns in Colorado. Reportedly, at  one time there were over forty saloons in Creede.
The 1892 Colorado Business Directory stated the population of Creede as around 6,000 and close to 10,000 in the mining district. The Creede Candle newspaper reported that mine production was outstanding in 1892. The Amethyst Mine was listed as the highest producer of ore and the second highest was the Last Chance Mine.

Amethyst Band 1895
In the first half of 1893, Creede was still booming. The boom and the excitement came to a sudden end in August of 1893 when the U.S. Congress repealed the Silver Purchase Act. When the government quit buying silver, the price of silver crashed and silver mining in all the American West was halted. The boom was over. All mines closed in Creede. Many miners left town, which caused many businesses to close and owners to leave town.
Creede was one of the few lucky silver mining towns that never became a ghost town. Hundreds of little mining towns were abandoned in Colorado during the Crash. Within a few months the larger mines in the Creede District reopened but with much smaller crews and much lower wages. The town did not die, but it certainly changed, and it has never come even close to the boom time population.
As a mining town, Creede continued to experience boom and bust times. During the boom times more people would live there, buildings would be built, schools, churches and other groups would thrive. During bust times, many would leave town, businesses would close and social groups would have fewer numbers. Of course, the price of silver was the determining factor.
Creede Mine 1895
At the turn of the twentieth century, Creede experienced an economic upturn. In 1905 the Humphreys Mill and the Amethyst Mill were built. In 1930 the Emperius Mining Company was founded by B.T. Poxson and Herman Emperius. By 1945 they controlled most of the mines and purchased a mill just south of town.
In the 1960s the Commodore Mine was still being worked by the Emperius Mining Company. Homestake Mining Company came to Creede in that same decade and they opened the Bulldog Mine, initiating what was to become the last silver boom in Creede. In the 1970s the population was growing so fast that mobile homes had to be brought in and almost every nook and cranny in town had a trailer in it. In the 1980s the Commodore Mine ceased operation and in 1985 Homestakes’s Bulldog Mine halted its mining, closed its doors and sold many of its buildings.
This hardy town lived through many disasters. In the 1918 flu epidemic, the only place to put the ill was on the pool tables in the bars. In 1972, the train ceased to come to Creede, usually the death knell to any community. One of the worst disasters in the history of the town happened on June 5, 1892.
Around 6 o’clock in the morning a fire started in a saloon located at the north end. In two and a half hours most of the wooden district had burned down. It devastated the town, but had little effect on the mining. Although many of the business people left town, many stayed and started rebuilding the next day. This time, most of the businesses were built with brick which was made locally. The main block of the Creede business district today is reported to look very much like the rebuilt district looked after the fire.
Creede after the devastating 1892 fire
In the 1920s when automobiles became more affordable and popular, more tourists came to Creede. Many area ranches offered beds and food and later became dude ranches with cabins available. In town, accomodations were built for the tourists. 

Creede in 2005

While we're talking about Creede (segue here) my March 28 release is set in Creede,
POLKA WITH PAULINE, The Matchmaker's Ball Series, book 8. It's on preorder now at the Universal Amazon url http://mybook.to/Pauline and will be available in e-book and print and free in KU.
Pauline Brubaker arrives in Creede, Colorado from Denver to help care for her aunt while the aunt’s broken leg heals. Her aunt and uncle are special favorites of Pauline’s. They’ve recently retired to Creede due to her uncle’s heart problems. Pauline’s hesitant to give in to her attraction to Creighton because she will only be in Creede the few weeks her aunt needs her help. Her parents and her life are in Denver.


Creighton Reed makes amazing pieces of furniture. They sell as fast as he can create them. Creighton meets Pauline when her aunt and the sponsor of the Matchmaker Balls conspire to have them attend a dance together. He is immediately attracted to Pauline but she gives mixed signals. Later a man who claims to be her fiancĂ© warns Creighton away from her. Creighton tells the man he’ll believe Pauline’s engaged when she tells him.
Two fire bombs destroy Creighton’s workshop and his living quarters in the back, and he’s almost trapped inside. Fortunately, he has purchased a house in order to marry Pauline and had moved some of his things there before the fire. Who sent firebombs into his workshop?  The arsonist must be caught before Pauline, her aunt and uncle, and Creighton are safe.


Sources: 

Saturday, November 30, 2019

DRAGON'S BLOOD by Zina Abbott


There is dragon’s blood, and then there is dragon’s blood. One kind has to do with color, varnish, and medicine; the other has to do with silver mining.

Let’s deal first with the one we might most likely come across today.

Dragon's blood is a bright red resin which is obtained from different species of a number of distinct plant genera: Croton, Dracaena, Daemonorops, Calamus rotang and Pterocarups.

The resin of Dracaena species, "true" dragon's blood, and the very poisonous mineral cinnabar (mercury sulfide) were often confused by the ancient Romans. [I would suggest we not allow ourselves to be confused, and we avoid ingesting or rubbing on our skin anything with “cinnabar” or “mercury sulfide” in it.]

Dragon's blood, powdered pigment or apothecary's grade and roughly crushed incense

Dragon's blood was used as a dye, painting pigment, and medicine (respiratory and gastrointestinal problems) in the Mediterranean basin, and was held by early Greeks, Romans, and Arabs to have medicinal properties. In folk medicine, dragon's blood is used externally as a wash to promote healing of wounds and to stop bleeding. It is used internally for chest pains, post-partum bleeding, internal traumas and menstrual irregularities.


Dragon's blood of both Dracaena draco (commonly referred to as the Draconis Palm) and Dracaena cinnabari were used as a source of varnish for 18th century Italian violinmakers. In modern times it is still used as a varnish for violins, in photoengraving, as an incense resin, and as a body oil. There was also an 18th-century recipe for toothpaste that contained dragon's blood.

In ancient China, little or no distinction was made among the types of dragon's blood from the different species. Both Dracaena and Daemonorops resins are still often marketed today as dragon's blood, with little or no distinction being made between the plant sources; however, the resin obtained from Daemonorops has become the most commonly sold type in modern times, often in the form of large balls of resin.

What does this have to do with American history, other than some of these substances continued to be used through time?
Cornish Miners 1866

I started my search for more information about dragon’s blood after touring the Lebanon Tunnel mine. Although tin miners from Cornwall had left their mark throughout the world since before Roman times, by the nineteenth century, most of the tin and copper mines in Cornwall were depleted. That left a people with centuries of tradition as miners looking for work elsewhere.

It is estimated that about sixty percent of the miners who worked in the Georgetown and Silver Plume Colorado mines were from Cornwall. With them, they brought their own mining terms and folklore – among them the belief in dragons.

Silver, when it is exposed to oxygen, forms silver oxide – that black tarnish we clean off of our silverware. Silver also dissolves in water over time, which is why miners cannot pan for silver like they do for gold.


With the heat, compression, and movement of the earth, veins of various elements will form in the cracks between sections of solid rock. When a vein of silver works its way to where it is exposed to both oxygen and water – even moisture in the air – it turns into a sludgy semi-liquid called dragon’s blood by the Cornish miners. They accepted it as evidence that a dragon guarded a nearby hidden treasure. The treasure within the mine was a vein of silver.



Since the presence of dragon’s blood indicates that large source of silver is nearby, miners looked for the formation of dragon’s blood as an indicator where they should drill and blast out a test pocket in search of the silver vein.

This particular incidence of dragon’s blood has seeped out and formed fairly recently. If it had existed at the time the Lebanon Tunnel was actively mined, there would be a drift there where ore was blasted and removed. It is estimated this dragon’s blood began showing sometime between 1896 when this mine closed for good and was blasted shut, and 1976 when the SeaBees came to open the mine to turn it into an optional tourist attraction add-on to the historic Georgetown Loop Railroad tour. 



I have written seven books for the multi-author series, Sweethearts of Jubilee Springs. Jubilee Springs is a hypothetical silver mining town set in the Rocky Mountains of Colorado. My most recent book in the series, Two Sisters and the Christmas Groom, Book 18, is currently available. Please CLICK HERE.

My eighth Sweethearts of Jubilee Springs book, and my next book to be released, Nathan's Nurse, Book 19, is the first book in which I wrote a scene that took place inside the Prosperity Mine. 
 
Nathan's Nurse is currently on pre-order and is schedule for release on December 27, 2019. You may access the book description and purchase link by CLICKING HERE.
 
 


Sources:
Wikipedia: dragon’s blood & silver oxide
https://www.youtube.com/watch?v=fzDqY2LOing
my notes from a tour of the Lebanon Tunnel Silver Mine
https://www.highonadventure.com/hoa10aug/sylvia/georgetownrr.htm


Monday, September 10, 2012

MY HEROES HAVE ALWAYS BEEN COWBOYS





By Terry Irene Blain, Guest Author

Yes, I admit, my heroes have always been cowboys. My love of cowboys came from old western movies. Here were men who were larger than life, who stood up for what they believed in, who’s word was their bond, who were willing to do what had to be done. And when they fell in love, it was deep and forever — even if they fought it at first.

Nothing surprised me more when I started to write, than that I chose set my stories in the American frontier. Now, it wasn’t a surprise that I chose to write historicals –after all, I have a BA and MA and a second BA in History and taught US History and Western Civilization at the college level. However, I liked teaching Western Civ more than US History and my MA had specialization in Tudor and Stuart England, and the second BA in European Studies. But when it came time to write it was the frontier and the cowboy who caught my imagination. Big surprise.

Guess Fredrick Jackson Turner was right. Turner, a historian, presented his "frontier thesis" in 1893 at the American Historical Association, stating that it was the westward expansion that formed the American character, making us, as Ben Franklin said, a new race that was rougher, simpler, more enterprising, less refined.



I think now it was the frontier aspect that drew me, as on the edge of civilization, it took a man and a woman working together to make a home. This was the basis for my first novel, KENTUCKY GREEN, when the frontier was “the land beyond the mountains,” the Kentucky and Ohio territory in 1794. My hero, although he’s not a cowboy, has all those cowboy characteristics. But for most people Turner’s westward expansion brings to mind the cowboy. Which leads me right back to my old western movies.

When I was teaching, I used to have the student watch “Stagecoach”  (1939) and discuss how the character portrayed the values of the time. If you haven’t seen the movie (shame on you!) a group of disparate individual undertake a dangerous stagecoach trip through Indian Territory. Our hero, the Ringo Kid (John Wayne, where director John Ford gave Wayne’s character the greatest screen introduction ever) is out to get the man who killed his father and brother. There is the “good woman,” a military wife on the way to join her husband, and the “bad woman,” the dancehall girl run out of town. The Confederate and the Union veteran. And of course, our hero helps save the day when the Indians attack. Here are our cowboy values of putting the good of the group before personal advantage, care and protection for those who need it. Courage in the face of danger (the Indian attack).

John Wayne as Ringo Kid in "Stagecoach"


Ringo also shows determination to get revenge on the man who killed his family. This is often part of the “man’s gotta do what a man’s gotta do” philosophy of the frontier. The average man, our hero, is forced to act as the law as either the law is absent (part of the definition of frontier) or unable or unwilling to do the job that needs to be done to protect society. And, of course, after the final shoot out, our hero and his girl ride off to start a new life together. The “new start” part of the frontier standing for redemption
“Stagecoach” is #9 on the American Film Institute’s Top Ten Westerns.

I also used to show part of “Red River” (1948) to my classes. This movie is #5 on the American Film Institute’s Top Ten Westerns. In the first part (a prologue actually), our hero, Tom Dunstan (John Wayne) leaves the wagon train heading to California and the girl he’s fallen in love with to go to Texas to start his ranch, saying he’ll send for her. She fails to convince him to let her go with him, and says she’ll come.



I liked to use this to point out to my classes, who were used to instant communication, how you have to understand the times the people lived in to understand the history of what they said and did. I used to ask the men in my class, how are you going to send for her? A letter? Who would carry the letter? How would you address it? Would you go yourself? How would you find her? Then I’d ask the women in my class – how long do you wait for this guy to send for you? A year? Two years? Forever?

Perhaps part of the pull of the western is the lack of technology that sometimes seems to overwhelm and swamp the personal and individual in today’s society. People seemed more important than things in the west. Relationships were personal. Today we can spend more time with our computer that with our family.

John Wayne, Montgomery Clift, Walter Brennan
in "Red River" 1948


The main part of “Red River” deals with the dangerous cattle drive north many years later. Here again we see the cowboy hero in several guises. Dunston (Wayne), who willing to do what no man has done, the cattle drive to try and save not only his ranch but all the surrounding ranches. Dunston willing to step up and take responsibility. He’s helped by his surrogate son, Matthew Garth (Montgomery Clift) and a cast of great secondary characters. As the cattle drive is beset with disasters, Dunston becomes more autocratic and driven to the point that Matthew rebels and takes over the herd. Matthew standing up to and against the man he loves like a father, necessary to do what right in his mind. Matt says, “know he (Dunstan) was wrong. Sure hope I’m right.” The story is not only one of man against nature (taming the frontier), but of Matthew (Clift) and his conflict with Dunstan (Wayne), each man doing what he thinks is right as the central theme of the film.

And, of course, there is a romance between Matt and the girl he meets, falls in love with, but must leave to complete the cattle drive. This romance between Matt and Tess (Joanne Dru) is what help lead to the final reconciliation between the men. This is a great movie with a young and beautiful Montgomery Clift and John Wayne allowed to act before all the directors wanted him to do was be John Wayne.

Jimmy Stewart

The Forties and Fifties were a great time for western movies, really too many to mention. But you might recall a few with Jimmy Stewart such as “Winchester ’73,” or “The Far Country.”
Randolph Scott working with directory Bud Boetticher made several good western such as “The Tall T,” and don’t miss “Seven Men From Now” if only for the final gun fight between Scott and Lee Marin as the ‘good’ bad guy.

For lots of good cowboy heroes, there is always what’s known as director John Ford’s Cavalry trilogy, “Fort Apache,” “She Wore a Yellow Ribbon,” and “Rio Grande.” These three, along with “Stagecoach” were shot in Monument Valley and the scenery is as much a character as the actors. Especially the storm in “She Wore a Yellow Ribbon” which blew up as they were filming, and Ford kept right on filming. No special effect, just the real thing.

Monument Valley, Idaho
Photo by Wolfgang Staudt


I think part of the allure of the cowboy is the wide open spaces and scenery that surrounds him. It was the remembered clean, clear and bright mountain scenery around Durango, Colorado that made me set COLORADO SILVER, COLORADO GOLD there. My cowboy hero is an undercover officer for Wells Fargo who, of course, is determined, brave and does the best he can. And, of course, as all western heroines, the woman he falls in love with is strong, capable and makes him realize he’s a better man than he thinks he is.




Modern westerns in the old tradition are starting to turn up on television, such as “Broken Trail” (2007) with Robert Duvall as the older mentor and Thomas Haden Church as his nephew.



And the traditional cowboy values are showcased in “Open Range” (2003) with Kevin Costner teaming with Robert Duvall, as two itinerate cowboy who end up taking on a corrupt sheriff and town boss – doing what needs to be done to make the community safer and revenge their friend. Also a nice little romance between Charlie (Kevin Costner) and Sue (Annette Bening).




Even the contemporary cowboy has those values. “My Heroes Have Always Been Cowboys” (1991) where an estranged son and father re-connect as he finds love with an old flame. How much better would things be today, if those cowboy values – honest, true to their word, willing to sacrifice to help those who can’t help themselves, putting the good of the community before their personal needs when necessary.

Yep, my heroes have always been cowboys. I watch the old movies any chance I get, and keep a lookout to see if they are out in DVD to replace the VHS tapes I have. My current favorite is “Tall In The Saddle.” Did I miss mentioning one of your favorite westerns? I know I missed some of mine. Do you watch the old movies, or do you have a favorite “modern” western?




                COLORADO SILVER, COLORADO GOLD

To protect her siser, Juliette Lawson stole documents and fled west. Now Wes Westmoreland, undercover lawman, threatens both her plan and her heart.

Socialite Juliette Lawson fled west from Philadelphia on a train and in disguise. In Colorado she’d be safe; she’d take work with her uncle at the Rio d’Oro, his smelting operation. Her actions back east had been wrong, but to protect her pregnant sister from scandal she would have done anything. Then she met a man as hungry for answers as she was for independence. A handsome, honorable man. For him, she wished the truth was hers to tell.

From the first, Wes Westmoreland knew he couldn’t trust her. Having grown up in the saloons and brothels of San Francisco, he saw trust, like love, as a luxury an undercover lawman couldn’t afford. Not on a job like this one, not with gold involved. This woman dressed as a widow was clearly hiding something; he’d felt it the moment they touched. But he’d felt other things too, stir­rings in his heart, and for the first time ever, he saw riches worth the peril.

Check at http://www.boroughspublishinggroup.com/ for more information on the books, and a free first chapter.

Terry Irene Blain, Guest Author


Terry Irene Blain was lucky enough to grow up in a large Midwestern family with a rich oral tradition. As a child she heard stories of ancestor s adventures with Indians, wild life, weather and frontier life in general. So she naturally gravitated to the study of history, completing a BA and MA in History and taught History at the college level. Married to a sailor, now retired, she’s had the chance to live in various parts of the country as well as travel to foreign places such as Hong Kong, Australia, England and Scotland.

Terry Irene Blain
Escape to the past with a romantic adventure
http://www.terryireneblain.com