Showing posts with label myth. Show all posts
Showing posts with label myth. Show all posts

Sunday, January 20, 2013

KIOWA HISTORY AND MYTHOLOGY

By Lyn Horner

Three Kiowa Men
THREE KIOWA MEN


A large portion of my current WIP, Dearest Druid, takes place on the Kiowa-Comanche-Apache reservation in Indian Territory (Oklahoma) ca. 1876. A lot of my research for this project focused on the Kiowa Indians, a small part of which I’ll share with you here. I hope y’all find their story as interesting as I do.

Kiowa myth tells of a creator being who summoned their ancestors into the world from a hollow cottonwood log. They emerged one by one until a pregnant woman got stuck in the log, preventing any others from getting out. Fanciful perhaps, but this may be the Kiowa way of explaining why their numbers were so few compared to the Comanches and other tribes.

Another myth relates how a divine boy, child of the sun and an earthly mother, gave himself to the tribe as eucaristic offerings. As late as 1896, this tribal medicine was kept in Ten Grandmother bundles. Kiowa children grew up listening to these legends and many others, told by the old men and women of the tribe.

During the 18th and 19th centuries, the Kiowa Indians were one of the preeminent horse tribes of the southern Great Plains. Together with their Comanche and Kiowa-Apache allies, they held off white settlers and the frontier Army for decades. However, they were not always among the world’s greatest mounted warriors. Once, they were hunter-gatherers living in the northern Rockies, who had never laid eyes on a horse. Long before that, they may have dwelled in the desert southwest.

The Kiowas speak a language called Tanoan or Kiowa-Tanoan. Tanoan is also spoken by many of the Pueblo Indians in New Mexico, proving the two peoples were linked in the distant past. Yet, Kiowas trace their earliest known location to the headwaters of the Yellowstone and Missouri rivers in western Montana. In the late 1890s, tribal elders still remembered northern tribes such as the Blackfeet, Arapaho Gros Ventres and Shoshonis. How the Kiowas came to be in the far north remains a mystery. One theory is that they split off from their Pueblo roots and migrated northward to colder climes, only to reverse direction and return south eventually.

While living in the northern mountains, the Kiowas depended on dogs to pull travois and possibly sleds. They mainly hunted small game. According to legend, the tribe split over a dispute, one faction heading northwest (where to, no one knows) while the others moved southeastward across the Yellowstone. This group, destined to become the Kiowa tribe of recorded history, met and grew friendly with the Crow Indians, settling east of them in the Black Hills. The Crows apparently taught the Kiowas about life on the plains and intermarried with them, passing on cultural traditions.

Around 1765, the Kiowa obtained the “Tai-me,” a powerful fetish incorporated in the annual Sun Dance ceremony. They acquired horses, hunted buffalo and lived in hide tipis like other plains tribes. They carried personal medicine bundles and belonged to societies within the tribe. Elite among the men’s groups was the Koitsenko soldier society. Young boys started out as “Rabbits.” Girls and women also had their own special groups. Among them were the Old Women society and the exclusive Bear society, with only ten or eleven members.

The Kiowas were forced from the Black Hills by the Dakota Sioux as that tribe pushed westward. South of the Kiowa lived the Comanches, who were in turn forced southward. They had acquired horses early on and ranged deep into Mexico on their raids. As early as the 1730s, the Kiowa had also become superb horsemen and were raiding Spanish settlements.

The two tribes warred against each other for years, but around 1790 they made peace and became allies. From then on, they and the Kiowa-Apaches, a small band closely connected to the Kiowas, hunted and raided together. The Comanches ruled the Staked Plains and a large portion of Texas, a vast domain known as Comancheria, while the Kiowas roved southward along the Arkansas River.

This fierce confederation drove out other, weaker tribes and raided Spanish, Mexican and American settlements virtually unchallenged until the mid-1800s. They were after horses, goods they could use or trade, scalps and captives – also tradable at forts and towns along the frontier. Their cruelty toward those they captured or killed was notorious.

Texas militia and later the Texas Rangers fought to protect far-flung settlements, but it would take concerted efforts by the Army and tactics that were often as brutal as the Indians’ to finally defeat the Kiowa, Comanche and their allies. The death blow came on September 28, 1874, when troops of the 4th Cavalry, under the command of Colonel Ranald S. Mackenzie, attacked a string of Indian villages in Palo Duro Canyon, in the Texas panhandle. There was little loss of human life and the Indians escaped up the walls of the canyon, but Col. Mackenzie ordered his men to shoot most of the 1,400 captured Indian ponies. They also destroyed the Indians’ tipis and winter provisions.

Left afoot on the open prairie, without food and shelter, the tribes soon surrendered. They were confined on the Kiowa-Comanche-Apache reservation and guarded by the soldiers at Fort Sill, located in the shadow of the Wichita Mountains in southwestern Indian Territory. The Kiowa mainly settled near Rainy Mountain, which has since been made famous by N. Scott Momaday’s The Way to Rainy Mountain. Today, most Kiowas in Oklahoma still live in the same general vicinity.

If you want to learn more about these proud people, here are some great sources:
The Kiowa by Mildred P. Mayhall
Bad Medicine and Good, Tales of the Kiowas by Wilbur Sturtevant Nye
Carbine and Lance: The Story of Old Fort Sill by Wilbur Sturtevant Nye
Ranald S. Mackenzie on the Texas Frontier by Ernest Wallace

My Books:
Darlin’ Druid (Texas Druids, vol. I)
Dashing Druid (Texas Druids, vol. II)
Water Witch (prequel novella to Texas Druids trilogy)
Six Cats In My Kitchen (memoir about cats, family & life with a disability)


 

Saturday, July 14, 2012

Building a Hero

by Anna Kathryn Lanier

NOTE:  I'm detouring from the blog's normal 'western' theme the authors use here on Sweethearts of the West.  My life is still in chaos, but I do think I see light at the end of the tunnel (Hopefully by September!).  So anyway, I searched my files and found this blog post I've done on Roses of Houston before....it's how to build a hero.....mythical qualities your hero should have.  Read them and then please share how you've incorporated some of them into your hero (or heroine) - AKL

James Frey in THE KEY:  How to Write Damn Good Fiction Using the Power of Myth tells how to build a hero.  He lists the time-tested qualities a hero should have and suggests that leaving out a few of these qualities is a kin to leaving out a few spark plugs when you do a tune-up on your car.  On the other hand, there is more to a hero than mythological motifs and heroic qualities.

A hero must also be “three-dimensional, interesting, passionate and dramatically driven.”

Frey’s list of myth-based heroic qualities are listed on pages 46-47 of his book, followed by a brief explanation.  I’m going to make the explanations even briefer, but based on what Frey wrote.

A hero must be or possess:

1)       Courage – readers are repelled by a hero who lacks courage.
2)      Cleaver and Resourceful – he does not need special knowledge. “In fact, it often helps the story if your clever and resourceful hero is lacking in the specific skills required by the situation.” A fish-out-of-water sort of thing.
3)      Special Talent – it does not necessarily have to be used in the course of her mission. Examples, according to Frey: photographic memory, psychic powers, tossing horseshoe ringers, picking winners at the track, growing prize winning flowers, shooting an arrow with amazing accuracy, talents of deduction to solve a crime.
4)      Is an “outlaw” – he plays by his own rules, not society’s.  Examples: Colombo, Scrooge, Michael Corleone, McMurphy (One Flew Over the Cuckoo’s Nest).  If you don’t want an extreme ‘outlaw,’ he only needs to be rebellious.
5)       Good at what she does for a living – Scarlett O’Hara’s job at the beginning of Gone With The Wind is to attract beaus and she uses her charm to achieve her goal.
6)      The hero is the Protagonist – he takes the lead in the story.
7)      Has been wounded – the wound can be physical, psychological, spiritual, or social.  She is maimed, disgraced, or lost a loved one, for example.  Anything to cause suffering…the hero needs to suffer.
8)      Motivated by Idealism – He “is not motivated by selfish reasons, but sacrifices himself for the good of others.”
9)      Sexually Potent – Yeah, need I say more?

The above are qualities every hero should possess.  Below is a list of qualities he may possess, but doesn’t necessarily have to possess:

1)       Having Hubris – a big head (conceited)
2)      Stoical
3)      Loyal
4)      Sexually appealing
5)      Physically superior
6)      A special birth
7)      Have a special destiny
8)      Special brand—tattoo, birthmark, scar
9)      Sometimes cynical
10)   Mouthy or sharp-tongued
11)    A Flaw – though if he has a wound, a flaw isn’t really needed.

This is the inventory to get you started on creating your hero.  How will you use it to attract readers?

Resource: THE KEY: How to Write Damn Good Fiction Using the Power of Myth
By James N. Frey ISBN 0-312-30052-2

Anna Kathryn Lanier