Showing posts with label Stetson. Show all posts
Showing posts with label Stetson. Show all posts

Sunday, October 4, 2020

COWBOY HATS By Cheri Kay Clifton

 



The cowboy hat is recognized around the world as a symbol of the American West. Vaqueros and Texans wore broad-brimmed felt hats long before John B. Stetson made his first trip to Colorado. The Spanish influence was so pervasive in the West that mail order catalogs, as late as 1900, still referred to the hat of the "cow boy" as a sombrero. Felt hats were, and still are, made from the fine hair of beaver, rabbit, and other small mammals to withstand the elements. The processed hair is compressed into felt and emerges as a cone-shaped hat body. Hat makers use steam to mold the hat body over a form or hat block. Early hats came in black and natural-fur colors, with white and color-dyed selections appearing on the market after 1920.

It is not clear when the cowboy hat began to be named as such. Westerners originally had no standard headwear. People moving West wore many styles of hat, including top hats, derbies, remains of Civil War headgear, sailor hats and everything else.

Credit for the American cowboy hat as it is known today is generally given to John Batterson Stetson. His family had manufactured hats in New Jersey since 1790, but when John Stetson established his shop in Philadelphia in 1865, he had his eyes on the West. Cattlemen needed hats that would protect them from the elements and not fall apart. Stetson supplied quality felt hats in popular styles. Though other hats were available in the West, Stetson was the largest producer and a genius at creating and marketing what became known as the “Boss of the Plains.”


Thanks to its durability, the hat was ideal for the demands of the working Westerner and became incredibly popular.  The charisma of the West was carried back East when adventurers returned in the expensive “Boss of the plains” style hat.  In the 19th century and first half of the 20th century, a hat was an indispensable item in every man’s wardrobe. Stetson focused on expensive, high-quality hats that represented both a real investment for the working cowboy and statement of success for the city dweller.

Some cowboy hats have been called "ten-gallon" hats. The term came into use about 1925. There are multiple theories for how the concept arose.

One theory is that the term "ten-gallon" is a corruption of the Spanish modifier tan galán, which loosely translates as "really handsome" or "so fine". For example, un sombrero tan galán translates as "such a fine hat".

Another theory is that the term "ten-gallon" is a corruption of the Spanish term galón, which means "galloon", a type of narrow braided trimming around the crown, possibly a style adapted by Spanish cowboys. When Texas cowboys misunderstood the word galón for "gallon", the popular, though incorrect, legend may have been born. According to Reynolds and Rand, "The term ten-gallon did not originally refer to the holding capacity of the hat, but to the width of a Mexican sombrero hatband, and is more closely related to this unit of measurement by the Spanish than to the water-holding capacity of a Stetson.”

Stetson Hat Company boasted that the tight weave of most Stetsons hats made them sufficiently waterproof to be used as a bucket. Early print advertising by Stetson showed a cowboy giving his horse a drink of water from a hat.  However, even the Stetson Company notes that a "ten-gallon" hat holds only 3 quarts.

The durability and water-resistance of the original Stetson obtained additional publicity in 1912, when the battleship USS Maine was raised from Havana harbor, where it had sunk in 1898. A Stetson hat was found in the wreck, which had been submerged in seawater for 14 years. The hat had been exposed to ooze, mud, and plant growth. However, the hat was cleaned off, and appeared to be undamaged.

The first American law-enforcement agency to adopt Stetson’s western hat as part of their uniform was the Texas Rangers. A Stetson-based design is also part of the ceremonial uniform of the Royal Canadian Mounted Police.  Presidents Harry Truman, Dwight Eisenhower, Lyndon B Johnson, Ronald Reagan and George W. Bush wore cowboy hats manufactured by Stetson.


Creases in cowboy hats are used to give hats individual character and to help users identify with a particular subculture. Creases and dents make it easier to don or remove the hat by grasping it by the crown rather than the brim. A very popular crease used on modern cowboy hats is the Cattlemen. It is creased straight down the center of the crown with a dent on each side. Returning in popularity is the Carlsbad crease, now often called a "Gus crease" after the character Gus McCrae in Lonesome Dove. It maintains a high crown at the back with the crease sloping steeply toward the front. The rodeo crease, the bullrider's crease (Formerly called the RCA crease, for the Professional Rodeo Cowboys Association), the quarter horse crease, and the “tycoon", with a pinched front, are also seen today.


Over time, the cowboy hat underwent changes in shape to better suit the needs of its owner and evolved into the form we are more familiar with today. The brim curved up on the sides to stay out of the way of a lasso, and the crown became pinched to allow better control.  Often a more decorative hat band is added.  In some places, “stampede strings” or wind strings” are also attached.

 Today the cowboy hat has become as much a part of fashion as it is function. Adorned by cowboys, cowgirls, rodeo athletes, musicians and movie stars alike, the cowboy hat is a truly traditional item of the West.

So Sweethearts, knowing many of us have pictured our handsome heroes in our books tipping their cowboy hats to the ladies as they passed by, I’ll conclude this post with the rules John B. Stetson Hat Company dictated when a gentleman should tip his hat and when he should remove it.

 

Tip your hat:

If a woman thanks you

After receiving directions from a stranger

If you excuse yourself to a woman

When walking with a companion and he greets a woman not of your acquaintance

 

Remove your hat:

During the playing of the National Anthem

Upon entering a building

During an introduction

When attending a funeral

When initiating a conversation

 

Sources:

Wikipedia

Cowboymuseum.org

Stetsonhat.com

VISIT MY WEB PAGE: www.cherikayclifton.com

My latest release, Yesteryear's Destiny, a adventure-filled historical western time travel.



Friday, October 22, 2010

Oh, Those Cowboy Hats!



In 1865, with $100 John B. Stetson rented a small room, purchased a few tools and ten dollars worth of fur –and the John B. Stetson Hat Company was born.  One year later the “boss of the plains” or hat of the west was born. 

Back in Mr. Stetson’s day, most everyone knew and practiced better manners than what we do today. But since hats fell out of fashion many years back, entire generations have come of age with no clue whatsoever as to the proper “hat protocol.” 

In Wild Texas Wind, my June 2010 historical release from The Wild Rose Press, my hero, Raz Colt seldom removes or tips his hat.  This is deliberate; he makes it clear from page one he’s no ordinary gentleman—in fact, he’s no gentleman at all.  So he doesn’t bother with the usual formalities.  Much to the irritation of heroine Arden O’Hara.   

But as I work on the sequel to that story, inspired by the character of Confidence Man and gambler—and Raz’s side kick in Wild Texas Wind—Kip Cooper, I find myself paying closer attention to a gentleman’s manners—specifically those “hat manners” mentioned above.  Kip is a man who likes to charm, likes to blend in and doesn’t shun societal customs.  (In other words, he’s the complete opposite of Raz!) But since there are few things as romantic –or flirtatious!—as a gentleman sweeping his hat from his head in the presence of a lady, I wanted to know more.

According to the John B. Stetson Hat Company there are very specific rules to dictate when a gentleman should tip his hat, and when he should remove it. 

Tip your hat:
If a woman thanks you
After receiving directions from a stranger
If you excuse yourself to a woman
When walking with a companion and he greets a woman not of your acquaintance

Remove your hat:
During the playing on the National anthem
Upon entering a building
During an introduction
When attention a funeral
When initiating a conversation

An excerpt from Wild Texas Wind is below. 

All Raz Colt wants is land, a quiet peaceable existence and to put his life as a hired gun in the past. When the chance to earn a sizable fortune by rescuing a kidnapped heiress comes his way, he seizes the opportunity. Trouble is, the heiress doesn’t want to be rescued. Offsetting Arden O’Hara’s beauty is a rattlesnake personality and shrewish temper. Despite her claim that she faked the kidnapping so her fiancé would ride to her rescue, Raz knows someone is out to kill her. And if anyone gets the pleasure of wringing her lovely neck, it’s going to be him.

Arden O’Hara is desperate to go home. Her fiancé was supposed to ride to her rescue, proving it’s her–and not her father’s money– he loves. Instead an arrogant stranger, with weapons strapped gun-fighter low and a decided lack of sympathy for her situation, shows up spouting a ridiculous tale about someone trying to kill her. It’s infuriating when Raz Colt’s claims prove true after not one but several attempts are made on her life. She has no idea who this fast gun with the deadly aim is, or why he makes her feel as wild and untamed as the Texas wind. But like it or not, if anyone is capable of getting her home alive, it’s Raz Colt.

~~
Arden couldn’t be certain the exact moment she realized the approaching rider was watching her. But the chill crawling up her spine was the doing of the man lying unconscious beneath her. He’d deliberately tried to frighten her.
And for the moment, she was stuck. Her chin hovered mere inches from his chest. No matter how she struggled she couldn’t free her hair from beneath his dead weight.
“Wake up.” She tried to squirm free, to kick him—anything. She reached awkwardly around to slap at his cheek, but to no avail. He didn’t stir. Only the steady rise and fall of his chest assured her she hadn’t killed him.
The rider moved closer, slowing his pace to take in the scene before him. It was too late to play dead. She had a funny feeling it wouldn’t have done much good anyway.
The metal of the .44 grew warm against her palm, but her hand, pinned awkwardly between her body and the man she lie upon, was numb and tingly from lack of circulation. The rider stopped a few feet away and dismounted. He walked closer, then stopped, studying her with a smug expression. When the corners of his mouth turned up, she had the oddest feeling he considered himself the cat to her mouse. Every instinct screamed the truth. This was the killer.
In one grand attempt to remain alive, she rolled to one side, ignoring the sting of her scalp, and freed her arm. Cocking the hammer with her thumb, she trained the gun on him. “Don’t come any cl—”
A hand on the back of her neck slammed her face down on the ground. Her finger was squeezed tight against the trigger as he—the arrogant ass she’d been unable to rouse a moment ago—closed his hand over hers. Three shots rang out almost simultaneously, the kick from the gun lurching her arm as it fired. Something warm buzzed past her ear, like the hum of a bumble bee but much too fast and much too hot. She opened her mouth to scream but inhaled a mouthful of dust and dirt instead.
Silence reigned for only a second before he rolled off her, one hand pressed to his head where she’d struck him. “Son of a bitch.”
Sputtering, Arden sat up and wiped an arm across her mouth. The rider lay slumped at an odd angle in the dirt. She turned to the suddenly-conscious stranger “You killed him.”
He stood, hand still on his head. “You’re welcome.” With a motion of his finger, he wordlessly told her to stay put. Gun in hand, he approached the dead man, then nudged him with the toe of his boot. He bent to press two fingers to the side of the man’s neck. “He’s dead.”
“So I gathered.” She noted the precision of the two holes, one square in the chest, the other right between the eyes. Either would have been a lethal shot. Another chill slithered down her spine despite the sun’s merciless heat. Who was this man with such deadly aim?
“Do you know him?”
The sight of the corpse, already taking on a chalky hue, began to sour her empty stomach. She drew her knees up to her chin, shaking her head in answer to his question. “Do you?”
He glanced down at the man’s face, cocked his head as if considering. “By reputation only. At least I think it’s him.” He rose, reloaded, and holstered the .44. with a smooth motion that told her he did it often and without thought.
“Why did you kill him?”
“What?”
“Why didn’t you just shoot him in the hand or the leg or something?”
“Are you out of your goddamned mind?”
“Anyone who can shoot as accurately as you could have disarmed him without killing him.”
“Hell, yeah. I could have invited him to tea, too.” He stepped a few feet away to retrieve the other man’s revolver from where it had landed. “But I have a bad habit, sweetheart. It’s called breathing. And I’m kinda partial to doing it.”
As he approached her, she reached for the extra gun he carried. “I’ll take that.”
“The hell you will.”
“I feel the need to protect myself.”
“And you’re doing a half-assed job of it, from the looks of things.” He knelt down in front of her. “Are you all right?”
She had to admit, his concern was somewhat touching. The memory of him throwing himself over her, shielding her with his body, caused a warm flush of gratitude. “I’m fine. Thank you.”
“Good. I got ten grand riding on your well being.” He glanced back at the other man. “Who wants you dead, Miss O’Hara?”
“No one.”
Raz shifted his gaze back toward her. Something in her voice wasn’t quite right. “You sure about that?”
“Who would want to kill me?”
“Anyone who has known you more than five minutes.”
Hurt flashed in those big green eyes before she pushed to her feet. “I’m leaving.”
“That’s a good idea,” he agreed. “Whoever wants to kill you will try again when he doesn’t come back.”
“I assure you, no one wants me dead.”
“That remains to be seen.” He left her to rummage through the dead man’s pockets, looking for anything that might identify him. But he didn’t need a name to know what Arden O’Hara would have suffered before he killed her. Finding nothing of use, he hoisted the body over his shoulder and draped it across the back of the extra horse.
“We’d better head to the nearest town and find the sheriff.” He didn’t bother to add there would probably be a reward.
“We?”
“Yes, we.” he repeated. “Don’t you want to know the identity of the one person in the whole world who wanted to kill you?”
She stared at the corpse as if it would bite her. “I told you, I don’t know him.”
“Whoever hired him knows you.”
She briskly rubbed her arms as though to ward off a chill. “Look, Mister—”
“Colt. Raz Colt.”
“Fine. Colt,” she repeated. “I think a terrible mistake has been made here. I’m quite certain this man never meant to harm me. I think he was probably trying to scare me.”
“Men like this don’t play games, darlin’. They kill.”
“You speak as though you have personal experience.”
He shrugged. “I don’t make apologies for what I am.”
“What are you?”
“A law-abiding citizen.”
She raised a brow in his direction before dropping her gaze pointedly to his guns. He wasn’t about to explain his lifestyle to her. He was a hired gun; it wasn’t something he was proud of but it was what he knew, what he was good at. And he liked to think he provided a service to the local law enforcement. Any low-life he took off the streets was one less gun the sheriff would have to face down.
Still, her decided lack of fear in all of this nagged at him. Sure she was a little green around the gills from staring at the dead guy, but not once had she come close to panicking; not before he’d entered the little shack, not when he approached her and not now, when she’d damn near met her maker.
He removed tobacco and paper from his shirt pocket and calmly rolled a cigarillo. “Mind telling me why you’re ‘quite certain’ this man wouldn’t harm you?”
She sighed dramatically. “It’s a long story.”
“I’ve got time before he starts to rot.”
“I’m sorry you were dragged into this, but I was not kidnapped, at least not really.” She began to pace, moving away from him.
The cigarillo complete, he scraped a match on the heel of his boot. “I’m listening.”
She walked toward a nearby rock and took a seat, resting her elbows on her knees, chin in her palms. Another sigh. “I wanted Geoffrey to rescue me.”
He inhaled, held the smoke in his lungs, and willed himself to stay calm. A million different responses came to mind, most of them more colorful than what she’d spouted earlier. At last he allowed a stream of smoke to slowly leave his nostrils. “Why?”
She sprang to her feet and resumed pacing. “I needed to know if he cared about me or if it was the money. I didn’t want Daddy involved, I knew he’d worry.”
“That doesn’t explain our friend over there attracting flies.”
“The men I hired would never have sent a man like that, not even to scare me.”
“The men you hired?”
“Yes. I think we need to assume this man was after you rather than me. A man like you most certainly has enemies.”
“Not alive.” He threw the cigarillo aside and stalked toward her, thoughts of killing her himself running wild. “Are you saying I damn near took a bullet for someone who staged her own kidnapping?”
She shrugged, almost childlike. “I’m sorry.”
“You’re sorry?”
“Yes. I’m sure Daddy will still pay—”
You’re sorry?”
“Mister Colt, you’re doing that repeating thing again.”
For the second time that morning, Raz hoisted her over his shoulder, this time taking care to remove his guns. He pressed one against her ribs, partly for effect, partly from anger. “Not half as sorry as you’re gonna be.”