Showing posts with label antique photos. Show all posts
Showing posts with label antique photos. Show all posts

Tuesday, November 10, 2020

PHOTOS OF THE GARDEN by E. Ayers

I worked as the head gardener on a private estate for a family that owned a major corporation. I only did it for a short time, and the family decided to turn the whole thing over to a commercial company for upkeep once we got the gardens to a certain point. But I got to work with an older gentleman who I knew and respected as a landscape architect and botanist. One of the many things he taught me was how to look at old photos. Trees that are about four years old will keep branches, or they will keep the scars from those branches. For instance, there was a Southern Magnolia on the property that was old and matches exactly to an old family photo from the late 1800s. We also had access to records of the original owner who bought certain bushes, trees, and plants for the gardens. With knowledge of what should have been, it didn’t take much to decode the original gardens. Yet we were unable to figure out quite a few plants when looking at photos. Magnifying glasses would give us leaf shapes. Knowing the colors of certain plants helped. Plus, older plants often were not as pretty as the ones we see today. Ever see a picture of a geranium from the 1800s? Straggly, it looks nothing like today’s geraniums. But when you learn the “color” of the geranium in the black-and-white photo, you can look at other plants and recognize the red in those plants. It took a long time to decode the flowers, and then we spent hours searching catalogues for heirloom seeds. A few local historical gardens often shared seeds with us, such as windflowers.

It was an experience of a lifetime. And to work with this wonderful man who taught me so much about gardening, Victorian gardens, and plant identification was totally awesome.

So what’s the difference between a landscape architect and an architect? Not much. Maybe two years of schooling. He would laugh and say I can build the mountain and put the house on it, and the bridge and road to it.

A friend’s husband had a PhD in historical reclamation. Interesting. He worked for the parks service as a ranger. He turned down a job worth millions, offering for him to rebuild Babylon. As an American Indian, he was more interested in preserving land. The park that he oversaw for most of his career has Indian burial grounds on it. Did he tell anyone? No. To him, they were sacred places. If he ever opened up and said there are these burial mounds, they would have had dozens of people digging up those graves, looking for answers. For what, he didn’t know.

When hurricane Floyd ripped through my area in 1999, it dumped so much water in this area that coffins popped to the surface and spilled their contents. DNA helped to send the remains back to their proper resting grounds.

Life keeps changing, things evolve, and old photos often give us a peek into the past.

Chrysanthemums from China in the late 1800s changed our landscape. Screw ships changed what came to America. (They have propellers and look very much like today’s screws. Water went through the propeller and turned the screw and suddenly the sail ships were going much faster.) A plant taken from China could arrive in the USA in a matter of days, and when put on a train, it made it to remote places in the west in a few more days. It was the start of international commerce.

So many of our plants in the USA have been imported. Our forefathers brought dandelions over as the settled the New World because they knew they were hardy and would be a source of lettuce. Now they crop up everywhere. I really don’t mind them. They make me smile. Those pretty, yellow, composite flowers show up every spring. They remind us of our past and our imperfections, even with their perfect yellow flowers that smile back at us. Put a little nitrogen on them and those flower heads are twice their normal size.

Many folks will do anything to rid them from their yards, I’ll encourage them. What child hasn’t wished upon their seeds and blew those white puff balls with the same enthusiasm as a birthday cake full of candles? Photos give us clues to our past, but we must recognize and decode them.

Are photos faked? Yes. And they were faking them in the 1800s. Really! But those photos in that family album probably aren’t faked.

I’d love to see your family photos and the plants in their gardens, especially Victorian gardens I’ve studied gardens from Victorian to Shakespearean gardens and I have a special place in my heart for them. I have a bookcase filled with books on perennials, bi-annuals, and annuals along with shrubs and trees. A big thank you to Virginia Tech and the Extension office for giving me the skills that I’ve used in ways that I never thought I would! Never did I think I'd be applying so many things to historical novels.

Friday, March 8, 2019

Historical Items as Inspiration

Lately I’ve been thinking about how I write.  Not style, word choice, or my writing schedule, but the actual “how” of sitting down and writing a novel.
I have an active imagination for storylines, but need inspiration to get the thoughts flowing. Here’s how I do that…
For starters, I listen to music.
Right now, my personal favorites are the soundtrack to the movie All the Pretty Horses, and a cassette tape (I know, I have to drag out a tape player every time I want that one playing) filled with songs about The Oregon Trail from National Geographic.
I also surround myself with various props.
I write historicals so when I need inspiration for what my characters look like I go to an antique store and browse through the collections of photos of people. I have about seven such photos right now for my WIP (work in progress) in a pile right next to my desk.
Also, a silver jewel case is very significant to the storyline of my WIP. I found one I liked, complete with red velvet interior, and bought it. It resides right next to my desk. And, you can see it in the opening shots of my book trailer.
I often dress in “period pieces”.
Dressing in clothes/styles from the past allows me to get into the heads of my characters and gives me a sense of what it must have been like for the character to wear such clothes. This includes bonnets, floor-length skirts, frilly things, various styles of cowboy hats, cowboy boots, and a leather holster complete with the fake gun. (I included several of these in my book trailer)
And finally, this is what I tell myself when I think my writing is really, really bad, or really, really good.

What in particular inspires you while you’re completing a task?