Showing posts with label Houston. Show all posts
Showing posts with label Houston. Show all posts

Tuesday, April 8, 2014

Reluctant Hero and Heroines

By Celia Yeary


The reluctant hero is typically portrayed either as an ordinary person thrust into extraordinary circumstances which require him to rise to heroism, or as a person with extraordinary abilities who nonetheless evinces a desire to avoid using those abilities for the benefit of others.
In either case, the reluctant hero does not initially seek adventure or the opportunity to do good.

In many stories, the reluctant hero is portrayed as having a period of doubt after his initial foray into heroism. This may be brought about by the negative consequences of his own heroic actions, or by the achievement of some position of personal safety - leaving the audience to wonder whether he will return to heroism at the moment when he is needed the most.

The movie High Noon is one of the best examples of a reluctant hero.  Will Kane (Gary Cooper) the longtime marshal of Hadleyville, New Mexico Territory, has just married pacifist Quaker Amy (Grace Kelly) and turned in his badge. He intends to become a storekeeper elsewhere. Suddenly, the town learns that Frank Miller—a criminal Kane brought to justice—is due to arrive on the noon train.

Miller had been sentenced to hang but was pardoned on a technicality. In court, he had vowed to get revenge on Kane and anyone else who got in the way. Miller's three gang members wait for him at the station.

Kane and his wife leave town, but fearing that the gang will hunt him down and be a danger to the townspeople, Kane turns back. He reclaims his badge and scours the town for help, even interrupting Sunday church services, with little success. During this time, Amy begs Kane to leave with her, but Kane has strong beliefs that he must defend the town...even alone.
Yes, he is a Reluctant Hero, but he stands his ground, finishes the job, turns in his badge again, and leaves with Amy.

But what about Amy? She does not leave as she threatened, and in the end grabs a gun to shoot a gang member who was in the process of trying to shoot Kane. The gang member grabs her as a hostage, but she fights him off, giving her husband a clear shot.
Once the gang members are dead, the town residents emerge to cheer for him. But Kane will have none of it. He throws his badge in the dirt with contempt, and rides out of town with his wife.

I see both Kane and Amy as reluctant heroes. Not one review site or blurb gives credit to Amy for being a strong heroine. It's all about Kane.

Amy foregoes her religious beliefs for a few moments, in order to save the life of the man she loves. Did she do that easily? Or quite reluctantly? I believe she had to grit her teeth and blank out her Quaker teachings in order to perform her deed. Absolutely, yes, she is reluctant. Just as reluctant as Kane, or more so.

I like reluctant heroes. In fact, I'd say more men...and women...are reluctant to act heroic than set out to be the hero.
In Texas Promise, Dalton King has not a heroic bone in his body. He can carry out difficult jobs as a Texas Ranger, but when it comes to protecting his wife from harm, he has to overcome his suspicions of her that she's deceived him. He is reluctant all the way, but in the end, does the right thing.

In Texas True, Sam Deleon has no intention of acting as a real husband to True Cameron. He  has other plans and believes he can accomplish his goals without falling in love with her. In fact, he doesn't even know what love is. But she teaches him, and in doing so, he opens his heart and his eyes and understands what he must do to makes things right.  To do that, he must act heroically, something he had no intention of doing.

In my newest release, Texas Dreamer, Lee King does not use his fists nor his gun to act the hero. His type of heroism is more subdued, but highly effective. He stands loyally beside his friend who is accused of trying to kill Lee; he uses the law to make a situation right; and he silently waits for Emilie to come to the correct conclusion concerning lies told about him. He never sees himself as a hero.
I should have titled this novel "The Quiet Man."

Texas Promise, Texas True, and Texas Dreamer can be found under  "Celia Yeary" on Amazon, Barnes and Nobel, Sony, iTunes, and Smashwords.
Thank you!
Celia Yeary-Romance...and a little bit 'o Texas

Monday, March 26, 2012

IMA HOGG, THE FIRST LADY OF TEXAS

By Caroline Clemmons

Governor James Hogg
and his family and, yes,
the boys and Ima are
wearing kilts
Every city has philanthropists and patrons of the arts. In that respect, the woman I've chosen to feature for Women's History Month is not exceptional. After all, she was born to wealth and privilege. Why did I choose her? From the time I heard her name, I've been fascinated by her. The poor woman was cursed from birth with an abominable name.  Who could refrain from feeling sympathy for anyone going through life named IMA HOGG?

Ima Hogg, philanthropist and patron of the arts known fondly as "The First Lady of Texas," was born to Sarah Ann (Stinson) and Governor James Stephen Hogg in Mineola, Texas, on July 10, 1882. When she arrived, her father said, "Our cup of joy is now overflowing! We have a daughter of as fine proportions and of as angelic mien as ever gracious nature favor a man with, and her name is Ima!"

Why, you may ask, would a man who loved his family and adored his daughter choose that name in combination with Hogg? Ima was named for the heroine of a Civil War poem written by her uncle Thomas Elisha Hogg in which the heroine Imogene was also called Ima. She was affectionately known as Miss Ima for most of her long life.


Ima Hogg
 Ima Hogg later recounted, "My grandfather Stinson lived fifteen miles from Mineola and news traveled slowly. When he learned of his granddaughter's name he came trotting to town as fast as he could to protest but it was too late. The christening had taken place, and Ima I was to remain."

During her childhood, Hogg's elder brother William often came home from school with a bloody nose from defending her name. Throughout her adult years, Hogg signed her name in a scrawl that left her first name illegible. Her personal stationery was usually printed "Miss Ima" or "I. Hogg", and she often had her stationery order placed in her secretary's name to avoid questions. Hogg did not use a nickname until several months before her death, when she began calling herself "Imogene." Her last passport was issued to "Ima Imogene Hogg". The story that she had a sister named Ura is untrue (although I heard it all my life).

Ima had three brothers: William Clifford Hogg was born in 1875; Michael Hogg was born in 1885; and Thomas Elisha Hogg was born in 1887. Ima and her brothers were born into a family whose tradition of public service was an integral part of Texas history. Her grandfather, Joseph Lewis Hogg, took the oath of allegiance to the Republic of Texas in 1839, helped write the Texas Constitution, fought in the Mexican War, and served as a brigadier general in the Confederate Army during the Civil War. Her father was the first native born governor and was elected in 1890.


Miss Ima, 1900
She was eight years old when her father was elected governor; she spent much of her early life in Austin. After her mother died of tuberculosis in 1895, Ima attended the Coronal Institute in San Marcos, and in 1899 she entered the University of Texas. In 1901 Ima, who had played the piano since the age of three, went to New York to study music. Her father died in 1906. From 1907 to 1909 she continued her music studies in Berlin and Vienna.

In 1910, Ima moved to Houston, where she helped found the Houston Symphony Orchestra, which played its first concert in June 1913. She served as the first vice president of the Houston Symphony Society and became president in 1917. She became ill in late 1918 and spent the next two years in Philadelphia under the care of a specialist in mental and nervous disorders. She did not return to Houston to live until 1923.

After their father’s death in 1906, Ima and her brothers tried to sell the Varner plantation, but a provision in their father's will specified that the land be kept for 15 years. Luckily for them! On January 15, 1918, oil was found on the Varner plantation. A second strike the following year provided oil income amounting to $225,000 a month shared among the four siblings. That’s a lot of money now, but imagine what a sum that was in 1919! According to Ima’s biographer Gwendolyn Cone Neely, the Hoggs did not believe that the oil money was rightfully theirs, as it had come from the land and not hard work, and they were determined to use it for the good of Texas.

In spite of her personal health problems, or perhaps because of them, Ima Hogg founded the Houston Child Guidance Center in 1929 to provide counseling for disturbed children and their families. Ima was convinced that if children's emotional and mental problems were treated, more serious illness could be prevented in adults. Her interest in mental health came from her father, who had read widely on mental health issues; during his terms as governor, Ima had often accompanied him on visits to state institutions, including charity hospitals and asylums for the mentally ill. She furthered her knowledge of the field while she was a student at UT, taking several courses in psychology. Ima was convinced that her youngest brother, Tom, would have benefited from similar intervention, as he had reacted badly after their mother's death and as an adult was "restless, impulsive, and alarmingly careless with money". Although her ideas on mental health would be considered mainstream today, in 1929 they were pioneering. In 1972, she told a reporter for the Houston Chronicle that, of all her activities, she had derived most pleasure from her role in establishing the Houston Child Guidance Center.

She joined her elder brother William on a vacation in Germany in 1930. During their visit, he suffered a gallbladder attack and died on September 12, 1930 after emergency surgery. Ima brought her brother's body back to the United States. His will bequeathed $2.5 million to UT and his desire was that it be used alongside money donated by his sister for far-reaching benefit to the people of Texas. Legal challenges tied up the grant until 1939, when the University received $1.8 million. In 1940, after discussion with her brother Michael—the executor of the will—Ima used the money to establish the Hogg Foundation for Mental Health at the University of Texas at Austin.

Miss Ima Hogg, Philanthropist
and Patron of the Arts
In 1943, Ima Hogg decided to run for a seat on the Houston School Board so that the board would include two female members. During her term, she worked to remove gender and race as criteria for determining pay. She championed a visiting teacher program for children with emotional problems and began art education programs in the schools for black students.

Varner-Hogg Plantation
Although Ima Hogg spent little time at the Varner plantation after Bayou Bend was constructed, she continued to purchase art and antique furniture on its behalf. In the 1950s, she restored the plantation, and each room was given a different theme from Texas history: colonial times, the Confederacy, Napoleonic times (1818), and the Mexican–American War. One room was dedicated to her father, and contained his desk and chair as well as his collection of walking sticks. She donated the property to the state, and it was dedicated as the Varner–Hogg Plantation State Historical Site in 1958, the 107th anniversary of Jim Hogg's birth.


Bronco Buster by
Frederick Remington
 Ima Hogg donated works she inherited from her brothers to Houston's Museum of Fine Arts, including one of the limited editions of Bronco Buster by Frederic Remington. In the 1920s, Hogg's brothers began to develop a new elite neighborhood, which they called River Oaks, on the outskirts of Houston. For their home, the Hoggs chose the largest lot, 14.5 acres. Ima worked closely with architect John Staub to design a house that would show off the art the family had purchased. William and Ima moved into the house, which she christened Bayou Bend, in 1928. In 1939, when she restored her estate along American lines, she donated more than 100 works on paper to Houston's Museum of Fine Arts (MFAH), including works by Cézanne, Sargent, Picasso, and Klee. Following the death of her brother Michael in 1941, she donated his collection of Frederic Remington works to the museum. Consisting of 53 oil paintings, 10 watercolors, and one bronze, it is known as the Hogg Brothers Collection, and is called one of the most important groupings of Western paintings on display in an American museum.  Ima donated her collection of Native American art to MFAH in 1944, including 168 pieces of pottery, 95 pieces of jewelry, and 81 paintings.

In 1960, she was appointed by President Eisenhower to serve on a committee to plan the National Cultural Center, now called the Kennedy Center, in Washington, D.C. In 1961, Jacqueline Kennedy named Hogg to the 18-member advisory committee to work with the Fine Arts Committee in seeking historical furniture for the White House.

One morning in 1914, Ima was awakened by a burglar in her bedroom. She confronted the man, who was attempting to steal her jewelry. Not only did she convince him to return the jewelry, but wrote down a name and address, handed it to him and told him to go there that very day to get a job. When asked why she did that, Ima responded, "He didn't look like a bad man."

The Hoggs' Bayou Bend Home
River Oaks area of Houston
Later that year, she sailed to Germany, alone. While she was en route, Archduke Franz Ferdinand of Austria was assassinated, and the day before she arrived, Britain declared war on Germany. The United States was still neutral, however, so Hogg continued her tour of Europe, not leaving until several months later.

Though Ima Hogg has been described as a woman of "unfailing politeness", she was not without adversaries. For instance, at a concert arranged by the Houston Symphony for her 90th birthday featuring the elderly pianist Arthur Rubinstein, he characterized her as a "tiresome old woman." Hogg, in turn, regarded the musician as "a pompous old man." By contrast, Hogg said of Vladimir Horowitz, whom she met backstage at a 1975 concert in Houston, "Such a nice man. Not at all like that Mr. Rubinstein."

Ima Hogg was a generous benefactor, and believed that inherited money was a public trust. She was described by the University of Houston as "compassionate by nature", "progressive in outlook", "concerned with the welfare of all Texans", a "zealous proponent of mental health care" and "committed to public education."

Bayou Bend's Clio Garden
A lifelong Democrat, Ima Hogg died on August 19, 1975, at the age of 93, from a heart attack resulting from atheroma. She had been vacationing in London at the time, but fell as she was getting into a taxi, and died a few days later in a London hospital. An autopsy report revealed that her death was not related to the earlier fall. On receiving news of her death, the University of Texas declared two days of mourning and flew the flag at half-staff.

Through her long life she received far too many awards and honors to list here. In 1963, former Governor of Texas Allan Shivers—when presenting Hogg with the Distinguished Alumnus Award of the University of Texas Ex-Students Association (the first woman so honored)—said of Miss Ima: Some persons create history. Some record it. Others restore and conserve it. She has done all three.

Thanks for stopping by. Y'all come back!

Sources: Virginia Bernhard, Ima Hogg: The Governor's Daughter (Austin: Texas Monthly Press, 1984). James Stephen Hogg Papers, Barker Texas History Center, Univerity of Texas at Austin. Louise Kosches Iscoe, Ima Hogg (Austin: Hogg Foundation for Mental Health, 1976). Notable American Women: A Biographical Dictionary (4 vols., Cambridge, Massachusetts: Harvard University Press, 1971-80). Wikipedia.