Saturday, January 16, 2021

Baseball In The West


Baseball has come a long way from the humble beginnings in the fields of 19th century America. For many of us, the introduction of  team camaraderie, fair play, and athleticism first occurred on dusty sandlots, red clay diamonds, and neighborhood backyards. Referred to as “America’s Pastime” since the mid 1840s, baseball today is played by both men and women all over  the world. Contrary to popular belief, American baseball was not invented by an individual but evolved from various European “bat and ball” games.

Yet, if you were to mention “sports” in the Old West you’d probably get some strange looks. But sports, particularly baseball, were as much a part of a town’s beginnings and, in many cases, its growth as cowboys and horses. Often, cultivating a pasture or vacant lot into a playing field was as important as establishing homes, a mercantile, a school, a church,  and a clean water supply. While summer evenings and Saturday afternoons were prime times to gather up the fellas for a game, playing on Sunday was soundly discouraged.

Teams in each town were comprised of friends, neighbors, and co-workers.  Everyone was welcomed to play regardless of race, color, or country of origin. It was common to see teams comprised of African Americans, those of Mexican origin, and those indigenous to the lands who were passing through the area. Not to be left out, some women’s teams were formed in the early colleges in Kansas.  Women also formed teams in their respective towns. Research showed that a women’s league with five towns around Topeka was established, some even included a male player or two in their lineup. Though some townspeople were startled at this occurrence, others merely accepted the fact.  (Hmm…wouldn’t this make a great series!)

Setting these books in the purely fictitious town of New Hope, Kansas, I did considerable research into baseball in Kansas following the war. 

·        The history of baseball by organized clubs grew from the experiences of former Union and Confederate soldiers and spread across the prairie. The sport also received a boost when settlers from the Northeast and Midwest, where they played ball, arrived bringing their skills with them. The game became a great unifier in the years that followed the war.

·        19th century bats were heavier and thicker in the handle with more of a gradual taper from the handle to barrel.


·        A catcher’s glove began as a leather work glove, similar to the glove a brakeman on the railroad would use.

·        The more prominent clubs in the larger Kansas cities donned uniforms consisting of long woolen trousers, leather belts, flannel shirts emblazoned with the town’s initial, and woolen caps.


·        Early baseballs were made from a rubber core from old, melted shoes, wrapped in yarn, covered in some form of brown leather, and stitched in a style known as a “lemon peel”. Pitchers usually made their own balls, which were used throughout the game.    

·        Pastures and open fields close to the town limits often served as baseball fields. Lime was sprinkled from baseline to baseline. The bases were linen squares or flour sacks stuffed with hay or sand.

In my debut sweet historical romance, Lessie-Brides of New Hope Book One, I briefly introduced the idea of a baseball game between the local New Hope Pioneers and the Topeka Prairie club. The game would go on to be a regular feature in New Hope’s Founders’ Day celebration. In Posey-Brides of New Hope Book Two, the game between the local team and the fictitious Leavenworth Mercantiles plays a pivotal role between Posey Campbell and Grayson Barrett.


 


For your reading pleasure, here's an excerpt of the baseball scene in Posey-Brides of New Hope Book Two 

Tuesday, January 12, 2021

The Amon Carter Museum of American Art by Bea Tifton

 

Most fans of the Old West are familiar with the art of Frederic Remington and Charles Russell, as well as that of Georgia O’Keefe.  In Fort Worth, Texas, there is a museum where one can find works from all three, and many other talented artists, the Amon Carter Museum of American Art. 

Amon Carter was a brash, successful businessman whose life story has taken on near legendary proportions.I'll write more about him in next month's blog post.  He created the Fort Worth Star Telegram and was its publisher, started the first radio station in the city, and served on the board for American Airlines. Most importantly, Amon Carter loved his hometown of Fort Worth.

Amon Carter, Sr.

Amon Carter began collecting art in 1935 when he purchased artworks by Remington and Russell. He eventually grew his collection to over 400 pieces. When he passed away in 1955, Carter’s will revealed that he wanted to establish a museum to house these works. It would be for the entire community, so admission was always to be free for the general collection and special exhibits.

 His children asked one of the foremost architects of the 20th century, Philip Johnson, to build what was then called the Amon Carter Museum of Western Art, and the museum opened in 1961. In 1967, the museum decided to include a wider expanse of American artwork and became the Amon Carter Museum. The museum officially changed its name to the Amon Carter Museum of American Art in 2010. In 2019, the Amon Carter underwent more renovations so that more of its collection could be viewed. 

The Amon Carter has many educational programs, some geared to educators, some to children, some to seniors or families. It hosts make and take art workshops led by local artists, lectures, and docent-led tours.  During the pandemic, the Amon has hosted many workshops and lectures via Zoom even though the museum is currently open and following Covid protocols.

The Buffalo Hunt 1919 Charles Russell

A Dash for the Timber 1889 Frederic Remington

The Amon continues to show the older works, from western sculptures and paintings to traditional still lifes and other American paintings, as well as photographs and more modern artwork.  If you are ever in Fort Worth, make it a priority to tour the Amon Carter Museum of American Art. For more information, visit https://www.cartermuseum.org.

Parson Weems' Fable 1939 Grant Wood

 
An American Stoic 1913 Alexander Stirling Calder

Ranchos Church, New Mexico 1930 Georgia O'Keefe 
Francis Nakai and Family 1950 Laura Gilpin

Attention, Company 1878 William M. Harnett    


                                     Seven and Seven Flower 2020 James Surls