Thursday, April 12, 2012

Original Weather Forecasters

by Paty Jager

Do you watch TV to learn about the weather? I do part of the time and usually the weather forecasters are wrong, but if I go by the clouds or lack thereof hanging on the Cascade Mountain range I can pretty much tell what kind of weather we'll have. So the first thing I do in the morning is look out the windows pointing west and see what's coming at us from the ocean.
 
The Nez Perce Indians of NE Oregon, SE Washington, and central Idaho taught their children at a young age how to observe the signs of nature. Animals, insects, birds, the moon, and the sunset all helped them determine or predict the weather. 

They believed to kill spiders would cause rain. If clouds in a sunset appeared red it would storm the next day. If the clouds were orange it would be a nice day. If the moon appeared upside down or face up it meant good weather. If the moon faced down there would be rainy weather.

These are all things I learned while researching the Nez Perce Indians for my spirit trilogy.

Some other fun information I found about Native American weather forecasting is:



1. If a muskrat builds his house toward the edge of the lake it means we will have a mild winter.
Logic: A muskrat needs open water to get out of his house.  So if he builds near the edge of the lake, it means he knows that there won’t be a long hard freeze.

2. If a muskrat builds his house toward the middle of the
lake, we will have a long winter.
Logic:  A muskrat will build in deep water so it will
          not freeze, because he could not get out of his house
          if there is going to be a long, hard freeze.

3. If snakes stay around in late fall, we will have a long fall.
Logic: Snakes hibernate in the winter, so this can
be used as an indicator of the length of the fall.

4. If rabbits keep their gray colors unusually long, we will
have a long fall.
Logic:  Since they turn white in winter, we can use
        them as an indicator of when winter is coming.
 
5. If rabbits turn white early, we will have an early winter.
Logic: Same as #4.

6. When summer birds linger longer than usual, we will
have a long fall.

7. If the little birds arrive early in February or March, we
      will have an early spring.
8. If crows are seen in February there will be an early spring.
Logic: For these last three the logic is the same.
Birds follow instinctive migratory patterns and routes at various times of the year.  Their arrival and departure are indicators of the seasons to those who observe them.
   
9. When leaves on the ash trees turn upward it will rain.
Logic:  Moisture in the air affects the position of some types of leaves.
 
   10.  When cranes return southward in the early fall, we will
           have a storm.
Logic: Cranes always move ahead of a storm.

11.  A chattering squirrel is a call for rain.
  Logic: This is more of a sign that it will rain than a
                   call for rain.  Squirrels will chatter while    
                   gathering or eating food.  They eat and store
                   food before a rainstorm.
   
12. If the quarter moon starts to tip downward it will rain.
Logic: The moon affects the weather of the earth.
When it is tipped down this signifies the dumping of
rain.

13. If the quarter moon tips upward we will have dry
weather.
Logic: Opposite of #12.

14. During the fall, if a larger rainbow ring is noticed, we
will have a storm.

  Logic:  Ice crystals cause a halo effect which can be
                  seen before rain or a storm.






Source:SDEA/NEA South Dakota Native American K-6 Curriculum Project



Tuesday, April 10, 2012

Meet Margery Scott-a "Scot" Who Writes Western Historical Romances

MARGERY SCOTT
I am so pleased to welcome Margery Scott to The Sweethearts of the West. She resides in Canada, by way of Scotland, and writes western historical romances. Please welcome her and leave a comment--she'd love to give away a pdf of either book.  ~Celia~

TOWN HALL IN
MARGERY'S HOMETOWN IN SCOTLAND
I was born in a small town in Scotland that dates back to the 12th century. It's a long, long way from the wild west, so it's natural for people to ask why I write western historical romances. I wish I knew what it was that drew me to the stories of cowboys and cattle drives, wagon trains and pioneers.
As a little girl, I was hooked on TV westerns - Wyatt Earp, Annie Oakley, The Lone Ranger, to name a few. But why? The danger? The larger-than-life characters? The thought of braving the wilderness to forge a new life?

 I wish I had a witty response to the question of why I write western historicals when my background is so entrenched in medieval Scotland, but I don't. And really, it's not something that I think about a lot, because it doesn't matter. All I know is that I'm still a sucker for a western movie or novel, especially with a romance and a happy ending.

AVAILABLE ON AMAZON
 In Wild Wyoming Wind, Maddie Boone gets her happy ending, but not without a fight.
MARGERY'S NEWEST RELEASE!
LEAVE A COMMENT! MAYBE YOU'LL WIN A COPY--
YOUR CHOICE.

Emma Witherspoon, the heroine in Emma's Wish, has to accept herself and realize she's worthy of Sam's love before she can get her happy ending. 

 Blurb:

Still grieving his wife’s death, Sam Jenkins needs a mother for his children. He can't build his ranch and care for three precocious youngsters alone. Emma Witherspoon has accepted the fact that she will never have a husband and children of her own, but that doesn't ease the ache in her heart. When Emma makes Sam an offer he can’t refuse, neither of them can foresee the changes in their lives because of two little words – “I do.”

 Excerpt:


             "You got children, ma'am?"

"No," Emma replied. What did that have to do with anything?

"Then I don't think you've got any business telling me how to raise mine."

The rebuke stung as much as if he'd physically slapped her. At the same time, her anger doubled. Just because she wasn't a mother herself didn't mean she had no idea how much children could be hurt. In her pain, she couldn't help lashing out.

"You aren't going to raise your children. You're getting rid of them. It's difficult to keep them, so you're just disposing of them the same way you'd get rid of a horse or a dog that gave you trouble--"

For a moment, Emma thought she'd gone too far. Sam's face darkened, and a cord bulged in his neck. But she couldn't stop now, no matter what.

"I've given you an option, and you're too pigheaded to even consider it. I don't have children of my own, but if I did, I can guarantee you I'd move heaven and hell to keep them. Nothing would make me give them up. Nothing."

"You don't know--"

"You're right. I don't know what it's like to have someone depending on me, loving me without reservation. I do know those children need you, not strangers."

"I'm giving them a family."

"No, Mr. Jenkins," Emma said softly. "You're destroying the only family these children have."

~*~*~*~
Margery's next project:
Currently, I'm outlining a series of western historical romances set against the backdrop of the southwest during the 1870's when the Harvey Girls first came west. Englishman Fred Harvey recognized the need for higher standards when it came to providing meals for railroad passengers. To do this, he replaced the armed men who usually served meals at the stations and advertised for white females who were willing to come west to work in his restaurants on the Atchison, Topeka & Santa Fe railroad line. Qualifications were strict - the women must be single, between 18-30, have an 8th grade education and be of good moral character. Once hired for a six-month term, they were housed in a dormitory administered by a senior "house mother." Many of these women found husbands while serving in the restaurants, but they were forbidden to marry during the term of their contracts. Of course, since these books are romances, each of the Harvey Girls will find the man of her dreams. The first of these novels should be available in the spring of 2013.

Emma's Wish -



Wild Wyoming Wind -





Twitter: margeryscott

~*~*~

Margery--thanks for being our guest today! You're welcome to return with your next book release.

Celia

Friday, April 6, 2012

A Cowboy's Rope

By Kathy Otten

A Cowboy’s Rope

To the cowpuncher of the 1880”s his throw rope was almost as important as his horse.


The word lariat comes from la reata, the Spanish term for “the rope.”  The word lasso may have come from the Spanish word lazada, which means “running knot” or “bowline.”  It also might have come from the word lazo meaning “snare.” However the cowboy of the old west always referred to his lariat as a “catch rope” or “throw rope.”  He never called it a “lasso.”

Throw ropes varied in length from between twenty and sixty feet. In the brush country of Texas, men threw a small loop, where on the plains longer and bigger loops were used.

Ropes were made of “seagrass,” Mexican maguey fiber, sisal and a few made of horse hair. Hemp was not used. Grass fiber ropes were coarse and bristly when new so they were laid on a pile of newspaper, then the newspaper was lit to burn off the loose fibers.  Grass ropes were strong and could take the strain of stopping heavy cattle and it was preferred by many Texas cowboys.

Nearly two-thirds of the open range cowmen preferred a rawhide rope.  Rawhide, called “reata,” are usually braided, though some early types were cut spirally from one long strip of hide. Many rawhide ropes were braided by the men who used them, using four to eight strands of rawhide.  Generally though working reatas were made from four strands and were three-eighths of an inch in diameter.

Saddle shops carried these ropes in stock, made by cowboys during the winter months.  Braiding this type of rope was an art and a good reatero was an artist.

Since the slip loop or honda (the loop through which the noose was tightened) was the most important part of the rope, great care was taken to fashion it.  It was tied into the end and had to be as small as possible to offer the least resistance to the wind, be the lightest possible weight at the rope’s working end, yet allow for slippage and still be strong enough to hold.

A metal ring or half ring was sometimes braided into the honda to provide the easiest slippage for the line.  Not too many cowboys used these metal Honda though. They were dangerous when swung and could easily take out a horse’s eye. Some men carved them out of deer and mountain sheep horns. In the 1880’s there was a fad among cowboys for brass and iron Hondas.

To soften up a rawhide rope it was run through two holes in a heavy plank then pulled back and forth.

A lot of work went into a rawhide rope.  It was expensive and required more care and it could not take the pop-your-head-off strain that a grass rope could.

Ready for use the rope or reata was carried on the right side either tied to the saddle or slung over the horn.  Rope tricks and fancy roping were popular among the men and many spent their leisure time perfecting their skill which in later years became popular entertainment at wildwest shows.

Sources:

McLoughlin, Denis,           Wild and Wooly, An Encyclopedia of the Old West, Barnes and Noble, Inc., 1975

Rickey, Don Jr., $10 Horse, $40 Saddle, Cowboy Clothing, Arms, Tools and Horse Gear of the 1880’s, The Old Army Press, 1976

Foster-Harris, William, The Look of the Old West, A Fully Illustrated Guide, Skyhorse Publishing, Inc., 2007

Wednesday, April 4, 2012

Researching Western Slang/Lingo

by Amber Leigh Williams

While researching my current western romance trilogy, I learned more about cattle ranching than I had the previous time around. I came across some slang and lingo once essential to cattle ranching operations. Today I thought I’d share some of these terms with the Sweethearts and our readers. Enjoy!


Buckaroo: Derived from the Spanish "vaquero,” a cowboy from the Great Basin country of northern Nevada, southern Idaho, northeast California and southeastern Oregon.  Often they wear flat hats, chinks, and ride A-fork saddles with post horns and bucking rolls. Traditionally their gear displays lots of silver and is fancier than some other areas of the country.


Charro: Gentleman rider of Mexico. Charros often exhibit a very flashy style of riding and use ornate dress and gear. Jalisco and Guerrero are the main states in Mexico where the charro tradition originated.



Charreada: A gathering of charros combining skilled riding, roping, and bull tailing, somewhat similar to a rodeo in the United States.



Big Circle Riders: Cowboys start at a point designated by the cow boss, ride widely-separated, gather the cattle, and push them to the holding or rodear grounds where the cattle will be worked.



Cocinero: Spanish term for male cook or chuck wagon cook.
Chuck Wagon Cook: On the old time cattle drives, the cook was sometimes an aging cowboy hired for his ability to drive a wagon more than his cooking skills. He was in charge of the wagon and everything related to it. The cook was paid more than the other hands because the success of the camp and the drive depended greatly on him. A cowhand earned about a dollar a day and the cook made twice that. Ranch cooks today still command a great deal of respect and many expect a certain strict etiquette in their vicinity.

Hoodlum (or Little Mary): Cooks helper-chops wood, peels potatoes, does dishes, and other chores around the chuckwagon.

Cow Boss: In charge of the cattle operation on a ranch. They choose where the cowboys will ride, hire and fire cowboys, and answer to the general manager.



Cowman: A ranch owner who makes a living raising cattle.


Cow-Puncher: Also called “Buckaroo,” “Cow Poke,” “Waddie,” “Cowboy,” and in Spanish a "Vaquero". Terms for cowboy vary with the region. The term cow puncher or "puncher" is more commonly used in the southwest.
Drover: Term commonly used in the 1870s and 80s for a working cowboy engaged in trailing longhorns to market or a new range.



Escaramuza: Women participating in a charraeada as a drill team riding sidesaddle.

Gunsel: A person with limited knowledge of livestock and cowboy ways. Usually used as a derogatory term.

Gyp: A female dog - term used especially in the south.



Jigger: Second in command to the buckaroo boss. Often ropes the buckaroos' horses for the day.


Lead Riders: Two cowboys that ride on each side of the 'lead steers' in a trail herd. They push the cattle in the general direction they want the herd to move.

Drag Rider: Cowboy following the herd pushing the stragglers.


Night Hawk : Cowboy that constantly rides around the cattle herd at night.

Night Wrangler: A cowboy that herds and cares for the saddle horses during the night.

Peeler: A horse breaker

Point Rider: Cowboy who rides in front of a herd and provides something for the animals to follow.



Flank Rider: Cowboys riding along the sides of the herd keeping it bunched.

Forked: Adjective applied to a Cowboy that can really ride a bronc well. Pronounced fork-ed – like the name “Ed.”

Pogonip: Paiute word for “cloud,” referring to a dense winter fog containing frozen particles, formed in valleys in the western United States. Also called “white cloud,” “white death” or “death fog.” Formed when humidity is 100% and temperature falls below freezing(32° F.) The ice crystals will then settle onto surfaces, forming beautiful ice crystal sculptures. Beautiful but dangerous.



Range Boss: Manager of a cow outfit out on the range.

Ranahan: Top cowhand, sometimes shortened to "ranny."

Rep: A representative. In the old days, neighboring ranches would pasture in ranges without fences as we know them today. During roundup time, representatives from neighboring ranches would attend the roundup. A rep with his own string of horses would trail to the range and ride and work with the roundup crew. When the cattle were gathered, those with his ranch's brand would be cut out and the rep would trail them home along with his saddle and pack horses.



Rosin Jaw: Hired man that does the mechanical, irrigating, and feeding chores on a ranch—all the non-horseback work. He is one of the "ranch crew."


Rustler:
A horse or cattle thief.
Shaded-Up: Can be applied to cowboys, cattle, or horses when they are pulled into a shady spot to rest.


Shadow Riding:
A cowboy that rides along, admiring his own gear and his own shadow.


Swing Riders: C
owboys that keep the main body of the trail herd together and keep them moving.


Tail Riders: Cowboys that follow the trail herd and keep the cows and young calves moving. They are also referred to as “drag riders.”


Tally-Man:
A cowboy who stands beside the branding-fire at a round-up and makes a tally mark for each animal branded, ear-marked, and vaccinated, showing to whom it belongs. A tally-man can also count animals out of a gate and keep track of them.


Tie-Man:
A cowboy roper that ties the end of his rope to his saddle horn while roping horses or cattle. This is a roping technique used mainly in Texas.

Twister: A horse breaker.

Vaquero: Spanish term for a man who takes care of cattle. A Mexican cowboy. Vaquero is derived from the Spanish word "vacca" (cow).

Waddie: Another term for cowboy, or a hired man, in the western United States who tends cattle and performs many of his duties on horseback. The term “waddy” is an old term that no one seems to be able to actually put their finger on the exact origin. It is more common in the Midwest and Southwest.

Wagon: A chuck and a bedroll wagon goes out with the cowboys when they work cattle on the range for several months at a time, especially in the spring and fall.

Candy wagon: A vehicle that hauls the grub and supplies to line camps.

Wrangler: A livestock herder, especially of saddle horses.



Monday, April 2, 2012

Life and Times of Charles Alexander Kirkpatrick

Written by Paisley Kirkpatrick in honor of her great-great grandfather, Dr. Charles Alexander Kirkpatrick:
Dr. Kirkpatrick kept a journal during his adventurous travel by wagon train across the country in 1849. Written with such eloquence, it is on microfilm and sealed in a glass container and kept in an air tight room in the Bancroft Library at the University of California, Berkeley, California. Its size is about 9 x 12 inches and its cover is of leather, which is tattered and very delicate due to its age. There are a total of forty hand-written pages. It was willed to the Bancroft Library so others could read about the adventurous early California pioneer.
An excerpt from my great-great grandfather's journal:
"This morning we again started on our journey and at 2 p.m. we had the best view of the train that we have had since we started. The road, in order to keep on good ground, forms a complete letter 'S'. In the middle of the letter, as it were, is a very high front from which a person can see the road and the wagons as far as the eye could distinguish objects. Within the range of this letter could be distinguished and counted with the naked eye 100 teams, all bound on the fool's errand to California. In this company might be seen the old gray-headed man who had almost numbered his three score and ten - the mother with the babe on her breast - the blushing girl of 16, but who by the time she had reached California will have lost the maiden blush by the association with the course vulgarity with which she is surrounded. It is useless to speak of particular characters, for every description from the reverend priest to the low footpad may be found enroute for California. And pain, disease and death also accompany us and, first one and another of our company are silently laid by the roadside to wait the summons of the Judgment day. And yet this makes no impression upon the survivors. The next day appears as though nothing had happened."
At the point of his adventure from St. Joseph, Missouri, to the gold fields of California, Charles was well-educated and already had his degree as a doctor of medicine. His handwriting was a beautiful script and written by a man with high morals and consideration of his fellow man.
Becoming rich in the gold fields didn't materialize, so he returned to the practice of medicine. He married and moved to Rio Vista, California, where he practiced his profession, had a pharmacy, and was also the postmaster of the town.
When the Civil War broke out he volunteered as a surgeon in the army from October 15, 1861 to October 15, 1865, and was stationed at Fort Mason, San Francisco, California and Fort Douglas, Utah as a Surgeon Major.
This is the can Surgeon Major Kirkpatrick kept his belongings in during the Civil War.

He kept his epilates on top inside the can.
These were all the objects inside the can.
After the war he became one of the leading doctors in San Francisco and Redwood City, California. In order to raise his family in a more favorable atmosphere he had built a lovely ten room home in Redwood City. It was considered a fine modern home at the time.
One of the many interests Dr. Kirkpatrick had was acting. He and his friends performed plays which were presented in their spacious home in Redwood City. Elaborate costumes were made and worn by the cast members. One of his associates was Mrs. Brown, a survivor of the Donner Party. Another friend, sculptor Douglas Tildon, made the famous Mechanic Statue which is displayed on Market Street in San Francisco.
My grandfather, Arthur Rowell Kirkpatrick, Jr., was born in this elaborate house and was delivered by his own grandfather, Charles Kirkpatrick on May 24, 1891. Dr. Kirkpatrick died in St. Luke's Hospital in San Francisco on April 27, 1892.

Wednesday, March 28, 2012

IT WAS VERY IMPORTANT TO KNOW HOW TO CUT UP A CHICKEN...AND OTHER THINGS by Cheryl Pierson



Our generation has lost so many important talents and skills. Technology makes it easier for us, but in some ways, it takes away our independence. Maybe that’s one reason we love to read (and write!) historical romance. We can go back in time vicariously without having to live through all the hardships and trials of everyday life that our great great grandmothers faced, experiencing only the top layer of what must have been difficult, by our standards, every moment. I didn't pick just one woman to talk about today. I wanted to talk about a whole generation (or two!) of women who helped their men settle the west.

Does anyone know how to cut up a chicken anymore? My mother did. I remember her getting out the wickedest looking knife I’d ever seen every Sunday and cutting up a chicken to fry. They had started to sell cut-up chickens in the store, but they were more expensive. Mom wouldn’t have dreamed of paying extra for that. By the time I began to cook for my family, I didn’t mind paying that extra money—I couldn’t bear to think of cutting a chicken up and then frying it.

It’s all relative. My mom, born in 1922, grew up in a time when the chickens had to be beheaded, then plucked, then cut up—so skipping those first two steps seemed like a luxury, I’m sure. I wouldn’t know how to begin to cut up a chicken. I never learned how. I don't want to know how.

Hog killing day was another festive occasion. Because my husband was raised on a farm, he and my mother had a lot of similar experiences to compare (this endeared him to her in later years.) Neighbors and family would gather early in the day. The hog would be butchered, and the rest of the day would be spent cutting and packing the meat. When my husband used to talk about the “wonderful sausage” his mother made, I was quite content to say, “Good for her. I’m glad you got to eat that when you were young.” (There’s no way I would ever make sausage.)

Medical issues? I was the world’s most nervous mother when I had my daughter. But being the youngest in the family, I had a world of experience to draw on. I also had a telephone and I knew how to use it! I called my mom or one of my sisters about the smallest thing. I can’t imagine living in one of the historical scenarios that, as writers, we create with those issues. The uncertainty of having a sick child and being unable to do anything to help cure him/her would have made me lose it. I know this happened so often and was just accepted as part of life, but to me, that would have been the very worst part of living in the historical west. I had a great aunt who lost all three of her children within one week to the flu. She lost her mind and had to be institutionalized off and on the rest of her life.

My mother was the eldest of eleven children. She often said with great pride that her mother had had eleven children and none of them had died in childhood. I didn’t realize, when I was younger, how important and odd that really was for those times. My great grandmother had a younger sister who was born under a tree in Indian Territory, in the heat of July. She already had three other children. My great grandfather stopped for her to have the baby, spent the night and the next day, and then they were on their way again in their covered wagon. My father’s mother had five children, two of whom died as children, and two more that almost died, my father being one of them.


It was a case of my grandmother thinking he was with my granddad, and him thinking three-year-old Freddie was with her. By the time they realized he was missing, the worst had happened. He had wandered to the pond and fallen in. It was a cold early spring day. Granddad had planted the fields already, between the pond and the house. A little knit cap that belonged to little Freddie was the only evidence of where he’d gone. It was floating on top of the water. By some miracle, my granddad found him and pulled him up out of the water. He was not breathing. Granddad ran with him back to the house, jumping the rows of vegetables he’d planted. The doctor later told him that was probably what saved Dad’s life—a very crude form of CPR. This is a picture of my dad at about age 18 or so, with his little brother Kay, who's around 7 or 8. Probably taken around 1940.

Could you have survived as a historical woman in the old west? What do you think would have been your greatest worry? What would you hate to give up the most from our modern way of life? I’m curious to know, what skills or talents to you think we have lost generationally over the last 100 years?

I’m not sure I would have lived very long, or very pleasantly. I know one thing—my family would never have eaten sausage that I’d made.

I've written two time travel stories, a short story, "MEANT TO BE" that appears in the 2011 Christmas Collection from Victory Tales Press, and a novel, TIME PLAINS DRIFTER, that received a 4.5 review from Romantic Times. In both of these stories, the heroine travels back to Indian Territory during the 1800's. They have to learn to cope with doing things the old fashioned way. Does love really conquer all? Will each of them stay in the past, given a choice? What about a man? Would he cope as well, if as a federal marshal of the 1870's he was catapulted forward into modern times? I think the hero of my sequel to TIME PLAINS DRIFTER, Cris d'Angelico, might find it very hard to give up driving fast cars and playing video games, once he's tried it. TIME PLAINS GUARDIAN is the exciting sequel to TIME PLAINS DRIFTER--availabe in 2013!

For all my short stories and novels, click here:
https://www.amazon.com/author/cherylpierson

Monday, March 26, 2012

IMA HOGG, THE FIRST LADY OF TEXAS

By Caroline Clemmons

Governor James Hogg
and his family and, yes,
the boys and Ima are
wearing kilts
Every city has philanthropists and patrons of the arts. In that respect, the woman I've chosen to feature for Women's History Month is not exceptional. After all, she was born to wealth and privilege. Why did I choose her? From the time I heard her name, I've been fascinated by her. The poor woman was cursed from birth with an abominable name.  Who could refrain from feeling sympathy for anyone going through life named IMA HOGG?

Ima Hogg, philanthropist and patron of the arts known fondly as "The First Lady of Texas," was born to Sarah Ann (Stinson) and Governor James Stephen Hogg in Mineola, Texas, on July 10, 1882. When she arrived, her father said, "Our cup of joy is now overflowing! We have a daughter of as fine proportions and of as angelic mien as ever gracious nature favor a man with, and her name is Ima!"

Why, you may ask, would a man who loved his family and adored his daughter choose that name in combination with Hogg? Ima was named for the heroine of a Civil War poem written by her uncle Thomas Elisha Hogg in which the heroine Imogene was also called Ima. She was affectionately known as Miss Ima for most of her long life.


Ima Hogg
 Ima Hogg later recounted, "My grandfather Stinson lived fifteen miles from Mineola and news traveled slowly. When he learned of his granddaughter's name he came trotting to town as fast as he could to protest but it was too late. The christening had taken place, and Ima I was to remain."

During her childhood, Hogg's elder brother William often came home from school with a bloody nose from defending her name. Throughout her adult years, Hogg signed her name in a scrawl that left her first name illegible. Her personal stationery was usually printed "Miss Ima" or "I. Hogg", and she often had her stationery order placed in her secretary's name to avoid questions. Hogg did not use a nickname until several months before her death, when she began calling herself "Imogene." Her last passport was issued to "Ima Imogene Hogg". The story that she had a sister named Ura is untrue (although I heard it all my life).

Ima had three brothers: William Clifford Hogg was born in 1875; Michael Hogg was born in 1885; and Thomas Elisha Hogg was born in 1887. Ima and her brothers were born into a family whose tradition of public service was an integral part of Texas history. Her grandfather, Joseph Lewis Hogg, took the oath of allegiance to the Republic of Texas in 1839, helped write the Texas Constitution, fought in the Mexican War, and served as a brigadier general in the Confederate Army during the Civil War. Her father was the first native born governor and was elected in 1890.


Miss Ima, 1900
She was eight years old when her father was elected governor; she spent much of her early life in Austin. After her mother died of tuberculosis in 1895, Ima attended the Coronal Institute in San Marcos, and in 1899 she entered the University of Texas. In 1901 Ima, who had played the piano since the age of three, went to New York to study music. Her father died in 1906. From 1907 to 1909 she continued her music studies in Berlin and Vienna.

In 1910, Ima moved to Houston, where she helped found the Houston Symphony Orchestra, which played its first concert in June 1913. She served as the first vice president of the Houston Symphony Society and became president in 1917. She became ill in late 1918 and spent the next two years in Philadelphia under the care of a specialist in mental and nervous disorders. She did not return to Houston to live until 1923.

After their father’s death in 1906, Ima and her brothers tried to sell the Varner plantation, but a provision in their father's will specified that the land be kept for 15 years. Luckily for them! On January 15, 1918, oil was found on the Varner plantation. A second strike the following year provided oil income amounting to $225,000 a month shared among the four siblings. That’s a lot of money now, but imagine what a sum that was in 1919! According to Ima’s biographer Gwendolyn Cone Neely, the Hoggs did not believe that the oil money was rightfully theirs, as it had come from the land and not hard work, and they were determined to use it for the good of Texas.

In spite of her personal health problems, or perhaps because of them, Ima Hogg founded the Houston Child Guidance Center in 1929 to provide counseling for disturbed children and their families. Ima was convinced that if children's emotional and mental problems were treated, more serious illness could be prevented in adults. Her interest in mental health came from her father, who had read widely on mental health issues; during his terms as governor, Ima had often accompanied him on visits to state institutions, including charity hospitals and asylums for the mentally ill. She furthered her knowledge of the field while she was a student at UT, taking several courses in psychology. Ima was convinced that her youngest brother, Tom, would have benefited from similar intervention, as he had reacted badly after their mother's death and as an adult was "restless, impulsive, and alarmingly careless with money". Although her ideas on mental health would be considered mainstream today, in 1929 they were pioneering. In 1972, she told a reporter for the Houston Chronicle that, of all her activities, she had derived most pleasure from her role in establishing the Houston Child Guidance Center.

She joined her elder brother William on a vacation in Germany in 1930. During their visit, he suffered a gallbladder attack and died on September 12, 1930 after emergency surgery. Ima brought her brother's body back to the United States. His will bequeathed $2.5 million to UT and his desire was that it be used alongside money donated by his sister for far-reaching benefit to the people of Texas. Legal challenges tied up the grant until 1939, when the University received $1.8 million. In 1940, after discussion with her brother Michael—the executor of the will—Ima used the money to establish the Hogg Foundation for Mental Health at the University of Texas at Austin.

Miss Ima Hogg, Philanthropist
and Patron of the Arts
In 1943, Ima Hogg decided to run for a seat on the Houston School Board so that the board would include two female members. During her term, she worked to remove gender and race as criteria for determining pay. She championed a visiting teacher program for children with emotional problems and began art education programs in the schools for black students.

Varner-Hogg Plantation
Although Ima Hogg spent little time at the Varner plantation after Bayou Bend was constructed, she continued to purchase art and antique furniture on its behalf. In the 1950s, she restored the plantation, and each room was given a different theme from Texas history: colonial times, the Confederacy, Napoleonic times (1818), and the Mexican–American War. One room was dedicated to her father, and contained his desk and chair as well as his collection of walking sticks. She donated the property to the state, and it was dedicated as the Varner–Hogg Plantation State Historical Site in 1958, the 107th anniversary of Jim Hogg's birth.


Bronco Buster by
Frederick Remington
 Ima Hogg donated works she inherited from her brothers to Houston's Museum of Fine Arts, including one of the limited editions of Bronco Buster by Frederic Remington. In the 1920s, Hogg's brothers began to develop a new elite neighborhood, which they called River Oaks, on the outskirts of Houston. For their home, the Hoggs chose the largest lot, 14.5 acres. Ima worked closely with architect John Staub to design a house that would show off the art the family had purchased. William and Ima moved into the house, which she christened Bayou Bend, in 1928. In 1939, when she restored her estate along American lines, she donated more than 100 works on paper to Houston's Museum of Fine Arts (MFAH), including works by Cézanne, Sargent, Picasso, and Klee. Following the death of her brother Michael in 1941, she donated his collection of Frederic Remington works to the museum. Consisting of 53 oil paintings, 10 watercolors, and one bronze, it is known as the Hogg Brothers Collection, and is called one of the most important groupings of Western paintings on display in an American museum.  Ima donated her collection of Native American art to MFAH in 1944, including 168 pieces of pottery, 95 pieces of jewelry, and 81 paintings.

In 1960, she was appointed by President Eisenhower to serve on a committee to plan the National Cultural Center, now called the Kennedy Center, in Washington, D.C. In 1961, Jacqueline Kennedy named Hogg to the 18-member advisory committee to work with the Fine Arts Committee in seeking historical furniture for the White House.

One morning in 1914, Ima was awakened by a burglar in her bedroom. She confronted the man, who was attempting to steal her jewelry. Not only did she convince him to return the jewelry, but wrote down a name and address, handed it to him and told him to go there that very day to get a job. When asked why she did that, Ima responded, "He didn't look like a bad man."

The Hoggs' Bayou Bend Home
River Oaks area of Houston
Later that year, she sailed to Germany, alone. While she was en route, Archduke Franz Ferdinand of Austria was assassinated, and the day before she arrived, Britain declared war on Germany. The United States was still neutral, however, so Hogg continued her tour of Europe, not leaving until several months later.

Though Ima Hogg has been described as a woman of "unfailing politeness", she was not without adversaries. For instance, at a concert arranged by the Houston Symphony for her 90th birthday featuring the elderly pianist Arthur Rubinstein, he characterized her as a "tiresome old woman." Hogg, in turn, regarded the musician as "a pompous old man." By contrast, Hogg said of Vladimir Horowitz, whom she met backstage at a 1975 concert in Houston, "Such a nice man. Not at all like that Mr. Rubinstein."

Ima Hogg was a generous benefactor, and believed that inherited money was a public trust. She was described by the University of Houston as "compassionate by nature", "progressive in outlook", "concerned with the welfare of all Texans", a "zealous proponent of mental health care" and "committed to public education."

Bayou Bend's Clio Garden
A lifelong Democrat, Ima Hogg died on August 19, 1975, at the age of 93, from a heart attack resulting from atheroma. She had been vacationing in London at the time, but fell as she was getting into a taxi, and died a few days later in a London hospital. An autopsy report revealed that her death was not related to the earlier fall. On receiving news of her death, the University of Texas declared two days of mourning and flew the flag at half-staff.

Through her long life she received far too many awards and honors to list here. In 1963, former Governor of Texas Allan Shivers—when presenting Hogg with the Distinguished Alumnus Award of the University of Texas Ex-Students Association (the first woman so honored)—said of Miss Ima: Some persons create history. Some record it. Others restore and conserve it. She has done all three.

Thanks for stopping by. Y'all come back!

Sources: Virginia Bernhard, Ima Hogg: The Governor's Daughter (Austin: Texas Monthly Press, 1984). James Stephen Hogg Papers, Barker Texas History Center, Univerity of Texas at Austin. Louise Kosches Iscoe, Ima Hogg (Austin: Hogg Foundation for Mental Health, 1976). Notable American Women: A Biographical Dictionary (4 vols., Cambridge, Massachusetts: Harvard University Press, 1971-80). Wikipedia.