A Horse of a Different Color

By Kathleen Rice Adams

Readers of traditional westerns and western romance tend to expect certain kinds of characters in stories. After strong men and feisty women, far and away the next most expected character is a horse. That’s how western movies came by the somewhat pejorative monikers “oater” and “horse opera.”

From left: a gray, a chestnut, and a bay roan (Click all photos to enlarge.)

I can’t speak for other western romance authors, but when I put a horse in a story, it can’t be just any old horse. The horse must fit the story and the human character with whom it pals around. All sorts of traits (including breed, size, and temperament) play into the decision, but one of the most obvious is coat color.

The color of a fictional horse says quite a bit about its rider. If a human character doesn’t want to stand out in a crowd, he or she most likely will ride a chestnut or sorrel, the two most common colors. Bays are another good choice for “don’t look at me” characters. Conversely, “flashy” horses—those with lots of white, like Appaloosas, palominos, and paints—send the subconscious message the character wants to be seen.

Duns and buckskins lend an aura of toughness to their riders, male or female. Don’t ask me why, but I’m sure there’s some complicated psychological explanation somewhere. And then there are the uncommon colors that make human characters seem rebellious: grullas and roans.

Because it sometimes can be difficult to visualize horse colors—and because everyone who reads western romance likes to look at pictures of pretty horses, right?—I thought I’d provide some helpful visuals.

Without further ado…

Chestnuts are red horses. Period. The shade can vary along a continuum from light to dark. Although manes and tails may be a lighter shade, they usually are the same color as the horse’s body. Liver chestnuts are so dark they seem almost brown. White blazes and stockings are optional. In Prodigal Gun, hero Mason Caine rides only “plain” chestnuts—ones with small or no white markings—because he wants to fade into the scenery.

Sorrels are red, too, but the line between sorrel and chestnut can be vague. Sorrel is a light, bright red—sometimes described as “copper penny red.” Some folks call sorrels a subset of chestnut; others say sorrel is distinct from chestnut because true sorrels have flaxen manes and tails. I’m staying out of that argument. Brit Moonchaser, the antihero in my forthcoming novel Ghosts in the Shadows, rides a sorrel gelding with a flaxen mane and tail—mostly because I like the color.

mahogany bay

blood bays

Bay horses range from a light reddish-brown to a dark, almost black, red. All bay horses have black manes, tails, and lower legs (called “points”). The darkest are called mahogany bay. One of the most striking bays, I think, is blood bay—a deep, bright red. “Flashy” blood bays are particularly attractive. A dangerous, flashy blood bay stallion plays a significant role in Ghosts in the Shadows.

buckskin mare and foal

buckskin quarter horse

Buckskins are tan or golden horses with dark
manes, legs, and tails. The tips of their ears also sport dark hair. White stockings and blazes are not uncommon. Cole McCord, the Texas Ranger in Prodigal Gun, rides a buckskin gelding. Cole is a by-the-book, no-nonsense lawman.

three-week-old red dun

dark dun

Duns often are confused with buckskins. Their coats run the same color spectrum, and both have dark points. The difference is this: Duns bear “primitive markings”; buckskins don’t. Primitive markings include a darker line down the center of the back from withers to tail, a dark splash across the shoulders, zebra stripes on the legs, and rings on the forehead (called “cobwebbing”). Many of the markings may be virtually invisible, but the line down the back is a dead giveaway and it’s always present. Often, duns’ tails will bear a dark stripe, as well. Whit McCandless, the rancher with an inflexibility problem in the short story “Peaches,” rides a lineback dun.

grulla miniature horse

See the stripe down his back?

Grullas or grullos (grew-ya; grew-yo) are essentially blue duns, a color combination that occurs when the dun coat color gene crosses the black coat color gene. Grullas/grullos (either is correct), sometimes called “mouse duns,” also bear primitive markings. The color is striking, if uncommon. Quinn Barclay, the hero in the short story “The Second-Best Ranger in Texas,” rides a grulla gelding with a drinking problem.

strawberry roan

bay roan

Roans come in red, bay, and blue. They look
“mottled” because white hair mixes with the horse’s base color evenly across most of the body. Roans’ heads and lower legs are the solid base color. Blue roans have black heads, manes, and tails. Bay roans have black manes, tails, and legs. Red roans—sometimes called strawberry roans—have chestnut heads, manes, tails, and legs. Latimer, a gunman who wants everyone to know who he is, rides a strawberry roan gelding in Prodigal Gun.

Paint and pinto horses are marked with large
splotches of white and any other color. (In the Old West, the terms paint and pinto were interchangeable. Nowadays there are technical differences between the two having to do with bloodlines.) Paints come in three varieties—Tobiano, Overo, and Tovero—but unless an author is writing a contemporary story set among the horsey set, nobody cares. Jessie, the heroine in Prodigal Gun, is rebellious from the word go. Her horse, Caliente, is a black-and-white paint mare.

Tennessee Walking Horse

palomino mare; chestnut foal

Palominos can range in color from almost white to
deep chocolate, but the vast majority have coats “within three shades of a newly minted gold coin.” All have white or flaxen manes and tails. Everyone remembers Trigger, right?

Appaloosa hoof

varnish roan Appaloosa

Appaloosas are easy to spot. (Sorry. I couldn’t resist.) The
breed is said to have originated among the Nez Perce Indians, who bred them for their spotted coats. Appies can be almost any base color and come in several patterns, but perhaps the best known are leopards (spots evenly distributed over a light-colored horse) and blankets (commonly a splash of white with spots across the rump of a darker base coat, although there are other blanket patterns). Many have striped hooves. Varnish roan is an exceptionally striking and uncommon version of the leopard pattern and is distinguished from other roans by the appearance of dark spots over prominent bones (hips, knees, facial bones, etc.). I haven’t found a character in need of an Appaloosa yet, but I’m sure I will.

What’s your favorite horse color? One of these? Something else? Let us know in the comments. On Saturday morning I’ll draw the name of one commenter, and that person will receive an e-copy of his or her choice from among the stories mentioned above.